“Eli, think about it.” The man's smooth voice carried almost effortlessly across the scarred remains of the arena. “Control over your own life. Remember how it was? When you could hide your shell where nobody could see it, where nobody could find it. You wouldn't have to worry about it getting into trouble, would you—it stays where you left it, right where you want it. It doesn't have those notions of kindness, empathy, dignity. It doesn't get itself into danger and need you to get it out.”
Eli was silent, watching the man with emotionless black eyes. Young watched nervously from her cell.
“And she... What is she to you but a prison? Don't do this, don't do that, peace, compassion, mercy. How much easier would your life be if you simply took what you wanted again, without that weak human stopping you?” He held out the pristine shell towards Eli. “Take it, Eli. It is your freedom, your right as one of your kind. I offer you new life!”
He stood for a moment longer without speaking. The entire arena seemed to fall silent, waiting for the enormous creature to make his decision.
Eli reached out one three fingered hand towards the sphere. The robed man grinned, and held the sphere high.“This is your right, Eli. Be your own once more.”
Then all at once white energy sparked from nowhere and everywhere, shooting out from Eli's hand to shatter the sphere completely. The confident grin suddenly fell to an expression of shock, and the hooded man took a step back, only to find his feet bound in place by the same power that had shattered the sphere. The shock turned to fear as Eli approached, rising up to his full height.
“I would be a fool.” The massive hand wrapped around the strange man's neck, lifting him helplessly off the ground. “Do not question that you will die today. Make it easier by telling me where you have hidden her.”
“Everything I've built my life on is changing. There's nothing to hold on to anymore; I can't... I can't deal with this!”
“It's terrifying, isn't it?” he asked quietly, without any of his usual exuberance. He sat next to her, calmly folding his thin hands in his lap. “Like the whole world is falling through your fingers.”
“I can't deal with this,” she repeated, a little more quietly as she felt the tears begin to come. “I can't believe... Can't believe he would really do that. Any of that—I mean, I've known him since forever, and...”
“Shh.” He put a hand to her shoulder, snapping her out of the panic she was descending into. “I know.”
“How could you know?”
He smiled thinly. “Some things are better left unsaid.” He sighed. “But you can't let it break you. It only feels like the world is falling apart—you have to know it isn't.”
“What isn't?” She whirled on him, tears in her eyes. “My brother is dead, my fiancee killed him, my home is gone and everything I've ever believed in was a lie!”
“Not everything.” He cut her off, taking her hand gently in his own. “The basics are still there. There is still enough truth in the world to hold it together, you know.”
“Like what?” She asked, sniffling.
“Well, to start with...” he pulled her hand up to match his own. “You have five fingers on each hand, and so do I. So did Eric, and he loved you.” He moved his hand away, and pulled a dove from nowhere. “Gravity is strong, and always goes the same way, but even doves can beat it. Feathers,” here he placed the dove in her outstretched palm, “are softer than bones, but you still need both to fly.” He looked her in the eye. “There are still truths to the world, you see, even when everything else turns out to be a lie. Remember these and it will be a bit easier.”
“Just a bit?”
“Yes.” He nodded quietly. “It will still be hard, and it will still hurt for a long time—probably forever. But you have to remember that there is still ground beneath you and a sky above you; you are not falling, and you are not helpless, and someday, eventually, you will be alright again.”
Joey pulled Finnian forcibly to his feet. “I refuse to let you kill yourself like this!”
“Why should you care?” Finnian looked away again. “I betrayed you. I betrayed your whole world. I'm s'kiav, untrustable! Worthless!”
“I care because you are my friend, Finnian! It does not matter what you have said is truth and what is lie now. Your actions are more proven than your words.” The illican knelt so they were finally on eye level with each other. “If this is unacceptable, then I shall be nicadahne instead of friend, and care for you as I care for all. But that is a lie to myself and to you. You are my friend. I will not allow you to die.”
They were silent for a moment longer, Finnian still refusing to meet Joey's gaze.
“There is a word the outsiders use. If you do not understand why I wish to care for you, perhaps you will understand Forgive.” Joey spoke very quietly, never letting up on his grip. “Because I have not understood it before now. It is a giving up of hurts to free us both. So I forgive you, Finnian. Do you understand this?”
“I don't deserve it.”
“You don't need to.”
Tuesday, June 22, 2010
Monday, May 31, 2010
Telepathy 101
Kind of a continuation of yesterdays post. Enjoy.
“Ok, I got this book at the library.” Seth pulled it from the bag, setting it on the bed between them, and she read the title.
“Understanding telepathy?”
“I read the first couple chapters. It had a couple testimonials from telepaths who talked about how they controlled it.” He flipped it open, pointing to a long quote on the page. “Most of them seem to agree it's about imagining a mechanism of some kind that can be opened or closed, like a door. When they want to use their powers, they open the door a bit, and when they want to not use their powers they close it.”
“So my door is stuck open.”
“That's what I'm guessing.” He shrugged. “Anyway. They're a bit more vague on how to pick who you're trying to listen to. I guess you just try to hear a voice, like trying to pick a voice out of a choir. You can read it if you want, but I don't know it'll help.”
“Hm.” She leafed through the book as he watched. “I think I know what they mean about the voice thing. People's mental voices sound kinda like their physical ones. I did what you said last time, though,” she remarked, “with the trying to match voices with people. And I think you're right; as far as I can tell every voice I'm hearing belongs to an individual..”
“So can you pick out an individual one?”
“Not really.” She shook her head. “I can pick just one to listen to, but I can't make the others stop.”
“Hm.” Seth shook his head. “Weird. Anyway, I think you should try it with the hat on.”
“You're sure about that?”
“Yeah. I mean, if you could figure out how to get the so-called door moving with the hat on, maybe you could figure out how to actually shut the thing.” He shrugged. “Worth a shot.”
“True.” She nodded thoughtfully. “But hey, I was wondering something. You said you could see the energy field my head makes?”
“Yeah, sure.” He nodded. “Easy.”
“And you control energy fields, right?”
“Yeah, though I couldn't stop your powers permanently, if that's what you're asking.”
“No.” She shook her head. “I'm gonna try it. But if something goes wrong that you can see, could you... hold it off or something?”
“I guess.” Seth nodded again, letting his hands glow slightly. “Try to read my mind, then. Whenever you're ready.”
“You're sure?” Sam looked unsure again. “I don't know if this will work. If I really do have superpowers, what if I hurt you somehow?”
“Then I'll use my superpowers to pry your superpowers off my head.” He smiled briefly. “Just try it.”
She crossed her legs, sitting indian style across from him on the bed. “Ok. Think of something, and I'll try to see if I can read your mind.”
He nodded, and she closed her eyes, straining through the silence in her mind to hear his voice. At first there was nothing but darkness, but quickly enough...
He watched as the energy field around her head slowly began to focus itself, expanding slightly as she concentrated. Seth wondered briefly why her energy field was always the same color, and wondered if it was like that for everyone. He also wondered if she would appreciate being told that she was a deep reddish purple.
There were faint whispers now. She listened closely, focusing in on one that sounded like her friend, blocking the others out. She retreated a little bit, taking the shred of the voice with her, and trying to concentrate on it and all else.
“Peony. Is that what it's called?” It sounded almost exactly like him, though it echoed a bit and there were whispering tangents falling off it. “What is her favorite color anyway, maybe I should tell her she's that. Wait, elephants elephants elephants elephants should think of elephants but newspaper clippings—hey, I was looking for that one! Wait, elephants, not newspaper clippings. Big happy elephants, peanuts circuses elephants, creepy sideshow guy that came through town last year elephants.” She concentrated further.. He was thinking of elephants, but having difficulty keeping his mind on that one spot alone. Images of elephants flashed into her vision, and she tried to push the voice back a little. She could see into his head, not just hear it. That was unexpected. She considered ending her concentration, but curiosity pulled the voice closer to her again. Pictures of elephants, trailing off into brief spurts of memory or distraction. It was amazing how well she could see into his mind, how well she could hear him now, almost as if she were no longer in her own mind, but...
She lost control, suddenly, and the voice overtook her. A new image filled her eyes, and the voice vanished-it felt like his thoughts were literally inside her head. But she could see herself, sitting cross legged across the bed, frozen with her eyes suddenly wide open. A bright light surrounded her head, in a deep reddish-purple, the color writhing and expanding suddenly. Part of it seemed to be connected to the head she now was in. The whole world looked startlingly different—streams of color ran through the wall in wires, her computer glowed green, her alarm clock looked yellow. In every direction there were tints of neon brightness, and suddenly, she realized what was happening. She was seeing through Seth's eyes—she was literally inside his head. She felt fear rushing up from somewhere that was not her, and she felt a hand move, then saw it—Seth's hand, reaching out towards the body that she was no longer in.
“Sam?” His voice asked, and she felt him speak it, heard it with his ears. “Sam! Sam, are you alright?”
“I'm fine,” she said quickly, out of reflex. He spoke those words in the same instant, and then suddenly looked extremely alarmed.
“...Sam, what on...”
“I lost control. I don't know what happened.” He managed to stop saying her words about halfway through the second sentence, listening instead to her voice somewhere in the middle of his skull.
"Sam," he asked softly, “Why are you in my head?”
“Ok, I got this book at the library.” Seth pulled it from the bag, setting it on the bed between them, and she read the title.
“Understanding telepathy?”
“I read the first couple chapters. It had a couple testimonials from telepaths who talked about how they controlled it.” He flipped it open, pointing to a long quote on the page. “Most of them seem to agree it's about imagining a mechanism of some kind that can be opened or closed, like a door. When they want to use their powers, they open the door a bit, and when they want to not use their powers they close it.”
“So my door is stuck open.”
“That's what I'm guessing.” He shrugged. “Anyway. They're a bit more vague on how to pick who you're trying to listen to. I guess you just try to hear a voice, like trying to pick a voice out of a choir. You can read it if you want, but I don't know it'll help.”
“Hm.” She leafed through the book as he watched. “I think I know what they mean about the voice thing. People's mental voices sound kinda like their physical ones. I did what you said last time, though,” she remarked, “with the trying to match voices with people. And I think you're right; as far as I can tell every voice I'm hearing belongs to an individual..”
“So can you pick out an individual one?”
“Not really.” She shook her head. “I can pick just one to listen to, but I can't make the others stop.”
“Hm.” Seth shook his head. “Weird. Anyway, I think you should try it with the hat on.”
“You're sure about that?”
“Yeah. I mean, if you could figure out how to get the so-called door moving with the hat on, maybe you could figure out how to actually shut the thing.” He shrugged. “Worth a shot.”
“True.” She nodded thoughtfully. “But hey, I was wondering something. You said you could see the energy field my head makes?”
“Yeah, sure.” He nodded. “Easy.”
“And you control energy fields, right?”
“Yeah, though I couldn't stop your powers permanently, if that's what you're asking.”
“No.” She shook her head. “I'm gonna try it. But if something goes wrong that you can see, could you... hold it off or something?”
“I guess.” Seth nodded again, letting his hands glow slightly. “Try to read my mind, then. Whenever you're ready.”
“You're sure?” Sam looked unsure again. “I don't know if this will work. If I really do have superpowers, what if I hurt you somehow?”
“Then I'll use my superpowers to pry your superpowers off my head.” He smiled briefly. “Just try it.”
She crossed her legs, sitting indian style across from him on the bed. “Ok. Think of something, and I'll try to see if I can read your mind.”
He nodded, and she closed her eyes, straining through the silence in her mind to hear his voice. At first there was nothing but darkness, but quickly enough...
He watched as the energy field around her head slowly began to focus itself, expanding slightly as she concentrated. Seth wondered briefly why her energy field was always the same color, and wondered if it was like that for everyone. He also wondered if she would appreciate being told that she was a deep reddish purple.
There were faint whispers now. She listened closely, focusing in on one that sounded like her friend, blocking the others out. She retreated a little bit, taking the shred of the voice with her, and trying to concentrate on it and all else.
“Peony. Is that what it's called?” It sounded almost exactly like him, though it echoed a bit and there were whispering tangents falling off it. “What is her favorite color anyway, maybe I should tell her she's that. Wait, elephants elephants elephants elephants should think of elephants but newspaper clippings—hey, I was looking for that one! Wait, elephants, not newspaper clippings. Big happy elephants, peanuts circuses elephants, creepy sideshow guy that came through town last year elephants.” She concentrated further.. He was thinking of elephants, but having difficulty keeping his mind on that one spot alone. Images of elephants flashed into her vision, and she tried to push the voice back a little. She could see into his head, not just hear it. That was unexpected. She considered ending her concentration, but curiosity pulled the voice closer to her again. Pictures of elephants, trailing off into brief spurts of memory or distraction. It was amazing how well she could see into his mind, how well she could hear him now, almost as if she were no longer in her own mind, but...
She lost control, suddenly, and the voice overtook her. A new image filled her eyes, and the voice vanished-it felt like his thoughts were literally inside her head. But she could see herself, sitting cross legged across the bed, frozen with her eyes suddenly wide open. A bright light surrounded her head, in a deep reddish-purple, the color writhing and expanding suddenly. Part of it seemed to be connected to the head she now was in. The whole world looked startlingly different—streams of color ran through the wall in wires, her computer glowed green, her alarm clock looked yellow. In every direction there were tints of neon brightness, and suddenly, she realized what was happening. She was seeing through Seth's eyes—she was literally inside his head. She felt fear rushing up from somewhere that was not her, and she felt a hand move, then saw it—Seth's hand, reaching out towards the body that she was no longer in.
“Sam?” His voice asked, and she felt him speak it, heard it with his ears. “Sam! Sam, are you alright?”
“I'm fine,” she said quickly, out of reflex. He spoke those words in the same instant, and then suddenly looked extremely alarmed.
“...Sam, what on...”
“I lost control. I don't know what happened.” He managed to stop saying her words about halfway through the second sentence, listening instead to her voice somewhere in the middle of his skull.
"Sam," he asked softly, “Why are you in my head?”
Sunday, May 30, 2010
Voices, hats, and superpowers
“So you can't hear the voices when you have a hat on?”
“Nope.” She shook her head, wincing as she took her hat off. “I line them with tinfoil. That's what does it.”
He took the hat from her hand and examined it. “Wait, you have the shiny side on the inside.”
“Is that that that unusual?” She took the hat back from him, placing it on her head.
“I thought the shiny side was supposed to be out.” He shook his head. “Something about it deflecting mind control waves or something.”
“Huh.” She narrowed her eyes in thought. “It definitely has no effect on mind control waves. From what I've heard mind control is really difficult to block—you need an interfering circuit, and...”
“It's alright, nevermind.” Seth glanced up at the web of twine and newspaper strewn across the ceiling. “So, assuming you're not crazy...”
“I'm not,” she said defensively.
“Then where are the voices coming from?” he finished. “They can't just be coming from nowhere.”
“I... I used to think they were trying to talk to me.” She glanced over at him. “But half the time they're ignoring me, or talking about something else. I think they're something natural that I just happen to be able to hear.”
He thought for a moment. “So you're psychic or something?”
“I guess.” She wrapped her arms around her knees.
“So that would make the voices other people's thoughts.”
“That's one theory.” She nodded. “I've thought about it sometimes. It would make a lot of sense if it's true.”
“Can you control what voices you hear?”
“No.” She shook her head. “I told you, it's a sea of noise. I can barely pick out one over the other.”
“What about when you have the hat on?”
“...I can't hear anything when I have the hat on.” Sam looked at him skeptically. “I just told you that.”
“Have you tried?”
“Why would I want to?” She flopped back on the bed, staring upwards. “The hat makes the voices be quiet. It's the only time I can hear myself think. If I try to hear them, maybe it'll make a way for them to get in, and then where would I be?”
“You could just make a new hat.”
“That's not what I mean. I mean, if I open that door in my head, I don't know if I can close it.”
“No, you could. It's not a door.” Seth rubbed the back of his neck nervously. “I told you I can see energy fields if I want to. That includes mental energy, and well... You've got one heck of a field.” He looked away, out the tiny window and across the street. “That hat contains it.”
“Really?” Sam sat up again, torn between skepticism and hope. “Is that how it works?”
“I think so. But there are still edges getting out. I think if you tried to control it, you could focus that small amount enough to hear someone's thoughts.”
“So what, I can control what I hear?”
“I guess.” He shrugged. “I don't know. All I know about powers like this are from a couple of self-help books my mom made me read. But it seems like it'd be a good thing to try, right?”
“Sure.” She stared at her hands. “I just don't know where to start.” She paused for a moment, realizing what he'd said. “Wait, powers?”
“Sure. Telepathy. You read people's minds.” He nodded. “It's a superpower.”
“...Huh.” She looked thoughtful. “I'd... never thought of it that way.”
“Sheesh, it's either superpowers or insanity. And you keep saying you're not insane, so...”
“I'm not!”
“So it's superpowers.” Seth shrugged. “Question is, how do you control it?”
“I... have no idea.” Sam looked away again. “Tinfoil?”
“Well, other than that. I mean, can you like, do some kind of insane yoga concentration thing, or...” he gestured vaguely around his head. “Something with your hands, I guess?” She laughed, and he pouted. “I'm serious! There's always hand signals in the movies.”
“I really don't know.” She shook her head. “I've never tried it.”
He shook his head. “I just don't understand how you didn't think of this before.”
Sam smiled a little. “You try sharing your head with a million voices and see how well you do.”
“Point.”
“Nope.” She shook her head, wincing as she took her hat off. “I line them with tinfoil. That's what does it.”
He took the hat from her hand and examined it. “Wait, you have the shiny side on the inside.”
“Is that that that unusual?” She took the hat back from him, placing it on her head.
“I thought the shiny side was supposed to be out.” He shook his head. “Something about it deflecting mind control waves or something.”
“Huh.” She narrowed her eyes in thought. “It definitely has no effect on mind control waves. From what I've heard mind control is really difficult to block—you need an interfering circuit, and...”
“It's alright, nevermind.” Seth glanced up at the web of twine and newspaper strewn across the ceiling. “So, assuming you're not crazy...”
“I'm not,” she said defensively.
“Then where are the voices coming from?” he finished. “They can't just be coming from nowhere.”
“I... I used to think they were trying to talk to me.” She glanced over at him. “But half the time they're ignoring me, or talking about something else. I think they're something natural that I just happen to be able to hear.”
He thought for a moment. “So you're psychic or something?”
“I guess.” She wrapped her arms around her knees.
“So that would make the voices other people's thoughts.”
“That's one theory.” She nodded. “I've thought about it sometimes. It would make a lot of sense if it's true.”
“Can you control what voices you hear?”
“No.” She shook her head. “I told you, it's a sea of noise. I can barely pick out one over the other.”
“What about when you have the hat on?”
“...I can't hear anything when I have the hat on.” Sam looked at him skeptically. “I just told you that.”
“Have you tried?”
“Why would I want to?” She flopped back on the bed, staring upwards. “The hat makes the voices be quiet. It's the only time I can hear myself think. If I try to hear them, maybe it'll make a way for them to get in, and then where would I be?”
“You could just make a new hat.”
“That's not what I mean. I mean, if I open that door in my head, I don't know if I can close it.”
“No, you could. It's not a door.” Seth rubbed the back of his neck nervously. “I told you I can see energy fields if I want to. That includes mental energy, and well... You've got one heck of a field.” He looked away, out the tiny window and across the street. “That hat contains it.”
“Really?” Sam sat up again, torn between skepticism and hope. “Is that how it works?”
“I think so. But there are still edges getting out. I think if you tried to control it, you could focus that small amount enough to hear someone's thoughts.”
“So what, I can control what I hear?”
“I guess.” He shrugged. “I don't know. All I know about powers like this are from a couple of self-help books my mom made me read. But it seems like it'd be a good thing to try, right?”
“Sure.” She stared at her hands. “I just don't know where to start.” She paused for a moment, realizing what he'd said. “Wait, powers?”
“Sure. Telepathy. You read people's minds.” He nodded. “It's a superpower.”
“...Huh.” She looked thoughtful. “I'd... never thought of it that way.”
“Sheesh, it's either superpowers or insanity. And you keep saying you're not insane, so...”
“I'm not!”
“So it's superpowers.” Seth shrugged. “Question is, how do you control it?”
“I... have no idea.” Sam looked away again. “Tinfoil?”
“Well, other than that. I mean, can you like, do some kind of insane yoga concentration thing, or...” he gestured vaguely around his head. “Something with your hands, I guess?” She laughed, and he pouted. “I'm serious! There's always hand signals in the movies.”
“I really don't know.” She shook her head. “I've never tried it.”
He shook his head. “I just don't understand how you didn't think of this before.”
Sam smiled a little. “You try sharing your head with a million voices and see how well you do.”
“Point.”
Labels:
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Thursday, May 27, 2010
Crazy
No parent ever expects their child to go crazy.
But she had, undoubtedly. Their beautiful eight year old tomboy daughter had started hearing whispers, just lightly at first, so barely there that they though it might be her very active imagination. She told them it was like the wind was telling her something, and she had to be very quiet to hear.
But the whispers were not what made her crazy.
As she got older, they caught her flinching, or twitching, or covering her ears when she didn't think they were looking. In completely silent places she spoke loudly, as if trying to speak over something. She started looking tired; her schoolwork suffered, and she didn't want to do anything but lie her head on the table and stare with open eyes at the grain of the wood. They asked her what was wrong.
The whispers had stopped being whispers.
Every day, when she got up, the whispers had gotten a little louder, just enough, she said, that she barely noticed. She'd thought she was just getting better at listening, but no. There were thousands of voices now, she said, that talked constantly, saying things that made no sense and repeating themselves and randomly coming and going. It was a sea of noise, and she had no way of stopping it.
She woke up screaming when she was twelve. They asked her why. She said she'd been murdered, and then she'd been the murderer. She said the body was in a dumpster two blocks down.
That was where the police found it.
She didn't want to sleep anymore, but her body fought her until she lost. The visions were always terrible, more realistic than any dream, feeling pain and pleasure as if she really were there. She woke up staggeringly drunk one morning, and it took a few minutes for her to return to normal. Another day she woke up asking what cocaine was, and why it made her see such strange things in the dream. Her parents worried, but she never left the house at night. She began stuttering, repeating entire words and phrases, going off on wild tangents as she struggled to think clearly. She could barely go to school, she was so exhausted, and her classmates were not kind.
They decided to move, thinking the change might do her good. A little town called Springfield seemed like a good choice at the time—her father got a job fixing computers, and her mother substituted at the elementary school. They were sure, that without the depravity surrounding them in the city, their daughter would get better—the dreams were surely subconscious wonderings, and the voices the product of stress and fear. It would get better.
It got worse.
There was no doubt, now, that she was insane. She refused to see the doctor, screaming about the noises the voices made around him, fighting and thrashing until she escaped the office. There was scarcely a day that the school did not call home to ask about her, if she'd been sleeping, if everything was alright at home. The stuttering got worse. The psychiatrist said she was schizophrenic, and gave them some medication. Nothing got better—the dreams consumed her in her waking hours now, too, freezing her in place as she watched something they couldn't see with wild blue eyes. They had to check, every day, if she'd taken the medication. They caught her throwing it away or flushing it down the sink more often than not. Her father had to sit on her, once, so that she would stop flailing long enough for her mother to force it down her throat.
It wasn't like she hadn't fought for her sanity. Every waking moment was dedicated to making sense of her world, and the results stretched out in newspaper clippings and scribbled dreams across every wall and surface of her room, connected with a web of twine and bright blue yarn. She theorized, trying to think clearly through the wild tangle of voices, trying to come up with something, anything, that would explain her misery.
No parent ever expects their child to go crazy.
Not many know how to deal with it when it happens.
Her mother clung to her husband, turning to him as her rock as her dreams for her daughter's future unraveled before her eyes. He stopped looking at his daughter, seeing straight through her when she had an episode, shutting his emotions off when she broke down screaming, looking away when she huddled on the floor sobbing. They were not a happy family anymore.
They came home one day to a silent house. Her backpack sat in the hallway, but there were no sobs, no screams, no nonsensical ramblings. Her mother assumed the worst, and ran to her room, with her father following close behind.
And they found her there, curled up in a ball on top of the sheets, with tinfoil wrapped around her head, completely silent, and for once, for the first time since she was eight, completely at peace.
“It makes the voices stop,” she'd said, without stuttering at all. “I can't hear any of them—it's quiet now. I like it.”
They'd looked at each other, unsure of how to respond. She was quiet, still, happy, sane, for the first time in years. But neither dared let down their defenses; they'd been guarded for so long that they'd almost forgotten how to love her.
They bought her hats, and sewed tinfoil into them. She wore them to school, and her grades improved immediately. The teachers stopped calling home. The medication wasn't an issue anymore. She didn't wake up screaming, or stutter, or freeze for minutes on end. Her father could look at her, her mother could smile.
They were almost happy.
They should have known it wouldn't last.
But she had, undoubtedly. Their beautiful eight year old tomboy daughter had started hearing whispers, just lightly at first, so barely there that they though it might be her very active imagination. She told them it was like the wind was telling her something, and she had to be very quiet to hear.
But the whispers were not what made her crazy.
As she got older, they caught her flinching, or twitching, or covering her ears when she didn't think they were looking. In completely silent places she spoke loudly, as if trying to speak over something. She started looking tired; her schoolwork suffered, and she didn't want to do anything but lie her head on the table and stare with open eyes at the grain of the wood. They asked her what was wrong.
The whispers had stopped being whispers.
Every day, when she got up, the whispers had gotten a little louder, just enough, she said, that she barely noticed. She'd thought she was just getting better at listening, but no. There were thousands of voices now, she said, that talked constantly, saying things that made no sense and repeating themselves and randomly coming and going. It was a sea of noise, and she had no way of stopping it.
She woke up screaming when she was twelve. They asked her why. She said she'd been murdered, and then she'd been the murderer. She said the body was in a dumpster two blocks down.
That was where the police found it.
She didn't want to sleep anymore, but her body fought her until she lost. The visions were always terrible, more realistic than any dream, feeling pain and pleasure as if she really were there. She woke up staggeringly drunk one morning, and it took a few minutes for her to return to normal. Another day she woke up asking what cocaine was, and why it made her see such strange things in the dream. Her parents worried, but she never left the house at night. She began stuttering, repeating entire words and phrases, going off on wild tangents as she struggled to think clearly. She could barely go to school, she was so exhausted, and her classmates were not kind.
They decided to move, thinking the change might do her good. A little town called Springfield seemed like a good choice at the time—her father got a job fixing computers, and her mother substituted at the elementary school. They were sure, that without the depravity surrounding them in the city, their daughter would get better—the dreams were surely subconscious wonderings, and the voices the product of stress and fear. It would get better.
It got worse.
There was no doubt, now, that she was insane. She refused to see the doctor, screaming about the noises the voices made around him, fighting and thrashing until she escaped the office. There was scarcely a day that the school did not call home to ask about her, if she'd been sleeping, if everything was alright at home. The stuttering got worse. The psychiatrist said she was schizophrenic, and gave them some medication. Nothing got better—the dreams consumed her in her waking hours now, too, freezing her in place as she watched something they couldn't see with wild blue eyes. They had to check, every day, if she'd taken the medication. They caught her throwing it away or flushing it down the sink more often than not. Her father had to sit on her, once, so that she would stop flailing long enough for her mother to force it down her throat.
It wasn't like she hadn't fought for her sanity. Every waking moment was dedicated to making sense of her world, and the results stretched out in newspaper clippings and scribbled dreams across every wall and surface of her room, connected with a web of twine and bright blue yarn. She theorized, trying to think clearly through the wild tangle of voices, trying to come up with something, anything, that would explain her misery.
No parent ever expects their child to go crazy.
Not many know how to deal with it when it happens.
Her mother clung to her husband, turning to him as her rock as her dreams for her daughter's future unraveled before her eyes. He stopped looking at his daughter, seeing straight through her when she had an episode, shutting his emotions off when she broke down screaming, looking away when she huddled on the floor sobbing. They were not a happy family anymore.
They came home one day to a silent house. Her backpack sat in the hallway, but there were no sobs, no screams, no nonsensical ramblings. Her mother assumed the worst, and ran to her room, with her father following close behind.
And they found her there, curled up in a ball on top of the sheets, with tinfoil wrapped around her head, completely silent, and for once, for the first time since she was eight, completely at peace.
“It makes the voices stop,” she'd said, without stuttering at all. “I can't hear any of them—it's quiet now. I like it.”
They'd looked at each other, unsure of how to respond. She was quiet, still, happy, sane, for the first time in years. But neither dared let down their defenses; they'd been guarded for so long that they'd almost forgotten how to love her.
They bought her hats, and sewed tinfoil into them. She wore them to school, and her grades improved immediately. The teachers stopped calling home. The medication wasn't an issue anymore. She didn't wake up screaming, or stutter, or freeze for minutes on end. Her father could look at her, her mother could smile.
They were almost happy.
They should have known it wouldn't last.
Tuesday, April 27, 2010
The Signs
Brief explanation: I've written a rather lot of merperson mythology. The solstice child is believed by the aqueans (merpeople) to be the one who will end their world. So what, logically, should his mother do when he's born?
She could no longer ignore the signs.
A golden child, he was. That she couldn't deny, even if she wanted to—his eyes and scales were amber and sunsets. But so had her grandfather been, and he hadn't been the solstice child, now had he?
But her grandfather hadn't been born in the darkest hour of the summer solstice, thanks to his parent's foolishness in conceiving him at the right time of year, thanks to his mothers foolishness in traveling despite being heavily pregnant, thanks to the warm summer night that hadn't killed him instantly with the shock of cold like most babies. That she could ignore, or deny, or tell others differently—for all anyone but she and his father knew, he had been born two days after the solstice. Still close, but clearly not the prophesied child, just enough to save him from suspicion and ire.
But she knew differently, and her own suspicion was one she could not save him from.
Born on the summer solstice solstice, when seven (and she'd counted, and his father had counted, and both shook their heads and desperately, desperately hoped they had counted wrong) stars had fallen across the night sky, a golden child. They whispered quietly to each other—should they let him live? If he was the child of prophecy, then to save their world—to save themselves, their family—he had to die. Was it not better to kill him before he had the chance to know his fate?
But no. No. They could never—would never. The golden child had lived, in the hopes that he was not the child they thought he was, that he would grow to be insignificant and normal, and live a happy life regardless of the foolishness that gave it to him.
But they knew, from the time he was old enough to swim away, that this was a false hope.
The dolphins loved him. His father had started to think he would go insane if he had to listen to their chatter for one moment longer—but the child laughed as the friendly bunch poked their noses into his soft belly. When he began to swim, they swam with him, chattering so fast that not even the elder of the pod could understand their language. He learned to hunt among the dolphins before he learned among his pod, and chattered with them in the bright squeaks and whistles. His mother almost smiled.
And the dolphins shall know him, as they know my child Feldspar, and they shall teach him...
Almost as soon as he'd learned to speak, he'd learned to sing. He started off simply—a single toned voice much like any other child, singing back the songs she'd sung to him as a baby. But there were other melodies, that emerged not long after, blending into two vocal tones, then three, then four—an impressive voice, even for an adult, and especially impressive for a child. But the songs were different, with words and phrases he'd never heard, then ones his parents had never heard. She didn't want to ask.
Illa shall sing with him, and teach him all her songs...
On occasion, they would visit the shore, and lie on their backs on the smooth rocks at low tide. He would lie next to her, nesting between her arm and the bend of her hip, staring upwards in wonder at the stars. She asked him what he saw, and tried very hard not to cry as he identified the constellations, one by one, without ever being told.
She didn't want to believe it.
The stars will be as simple as the water, as Somin tells all he knows.
He loved to play, with the dolphins or anyone who was willing. The dolphins didn't play with him as much when their pod joined to a larger one, but there was still always a few tagging along behind. The other children—who were always bigger or smaller than him by half a year—taught him a few games. The dolphins foiled his every attempt at hide and seek. He was a fair shot at tag. He lagged a bit at catch-the-otter, but that was alright. But he came up with new games, other games, and soon the adults began to ask their children where these strange games had come from. They told, and he was asked.
“There's someone in a dream who tells me about them,” he said. “Just like the one who told me about the stars.”
And Hollin shall teach him games, as he has always taught my children, and he shall play...
It was possible, at this point, for her to still imagine he was not the solstice child. The six children of legend had been known to visit some in dreams and teach them great things, and though it might have been a stretch of the imagination to believe that four of them would bless her child, it was not impossible. And even a desperate hope is better than none.
But she still knew, in her heart, that he was.
They left the new pod not long after that.
They found ruins, from before Alanti, and stayed there for a few days. The buildings were alien to all of them, the carvings barely perceptible, and the runes meaningless—but he understood them. She found him explaining to one of the younger children what the carvings meant, what the runes meant, the stories they told, as clearly and as plainly as if it were as simple as what fish you would eat and what would eat you. She could not turn away, as if in horror.
Karo shall teach him words, letters, all that shall be lost to you...
It was in his twelfth year, at the solstice festival, that she finally, finally, could not deny it any longer. The elder was telling a story, that he had never heard—she knew he had never heard, for it was one she hadn't heard since she was a child, one of those stories that by tradition was only told every fourteen years, to mark the fourteen the solstice child would one day (not yet, she hoped) be among them. He nudged her again, and again, until she finally whispered, “What?”
“Mama, he's got the story wrong!”
She asked him how. He told her the way the story was supposed to be—the way she's heard it as a child. When he finished, she realized the whole gathering was watching him, listening in rapt attention to the true and real story. The elder had fallen silent.
So she asked him, late that night when none were listening, where he had heard the story, and why he knew it so well.
“She tells me—a girl a lot older than me, but not a grownup. She's purple.”
“Is she like the one who told you about the stars?”
“And the songs, and the runes, and the games, and the dolphins, Mama!” He nodded. “They talk to me when I'm sleeping.”
And Urma shall tell him her stories, though they may pass away in time, he shall know them...
“How many of them,” she'd asked carefully, “do you see?”
“Seven, Mama.”
“You mean six,” she corrected quickly, hoping so desperately he was wrong.
“No, Mama. There are seven.”
Though all may see these six in dreams, to hear the stories or learn the stars, only the Child shall see the seventh.
And Antioch shall guide him.
She could not deny the signs any longer.
They had to kill him.
She didn't want to. What mother would, what father would? They loved him, even if he was the solstice child, even if the world would end, he was still their child, their only child. They made a knife from obsidian shards, and tucked it away with a quiet promise to each other that tomorrow, tomorrow, the deed would be done.
Tomorrow came and went, again and again. The deed was not done, never done, not for another year. He was only twelve, they still had time—another day would not destroy the world. His father gave him the knife as a present two days after his thirteenth birthday, on the day he thought he had been born.
He was old enough to hunt on his own, among the dolphins that still followed him. He was old enough to wind shells and coins and tattered rope into a bracelet for his mother, and another for himself. He was old enough to understand and fear the coming of the solstice child.
He was not old enough to understand that he was the solstice child.
The days flickered past. She knew they had to kill him soon, before the fourteenth year, before he was taken from them and all hope was lost. His father became a little more resolute on the matter, steeling his nerves, determined not to force his wife to do it. They made another knife, larger, more deadly—the first one had gotten a little chipped in the hands of their son.
They would explain it to him. It wasn't fair any other way—his mother wished more than anything that they had killed him before he was old enough to love them. He had to understand what he was, what he was destined to do. How that destiny had to be fought. Why. The death would be swift. She knew it would still be hard, still be painful. But he would at least know, and his spirit would be free to wander.
But the days still washed by them like waves, and time was running short.
They fixed a date. The day they were intended to leave for the solstice festival. He would be sent out to hunt, so they would be late. The others would leave them behind, and they would be free to do the deed alone. He would return, ask where the others had gone, and it would be explained. The deed would be done. The world would be saved.
He was sent off to hunt.
The others left.
And they waited.
And waited.
And waited.
And waited.
And he never returned.
She did not know if Antioch had guided him away from them, or if he had understood more than they knew. Perhaps some chance circumstance had done the deed for them, a shark, an orca, a fisherman's net. She grieved for him if he was dead.
She grieved for the world if he were alive.
She could no longer ignore the signs.
A golden child, he was. That she couldn't deny, even if she wanted to—his eyes and scales were amber and sunsets. But so had her grandfather been, and he hadn't been the solstice child, now had he?
But her grandfather hadn't been born in the darkest hour of the summer solstice, thanks to his parent's foolishness in conceiving him at the right time of year, thanks to his mothers foolishness in traveling despite being heavily pregnant, thanks to the warm summer night that hadn't killed him instantly with the shock of cold like most babies. That she could ignore, or deny, or tell others differently—for all anyone but she and his father knew, he had been born two days after the solstice. Still close, but clearly not the prophesied child, just enough to save him from suspicion and ire.
But she knew differently, and her own suspicion was one she could not save him from.
Born on the summer solstice solstice, when seven (and she'd counted, and his father had counted, and both shook their heads and desperately, desperately hoped they had counted wrong) stars had fallen across the night sky, a golden child. They whispered quietly to each other—should they let him live? If he was the child of prophecy, then to save their world—to save themselves, their family—he had to die. Was it not better to kill him before he had the chance to know his fate?
But no. No. They could never—would never. The golden child had lived, in the hopes that he was not the child they thought he was, that he would grow to be insignificant and normal, and live a happy life regardless of the foolishness that gave it to him.
But they knew, from the time he was old enough to swim away, that this was a false hope.
The dolphins loved him. His father had started to think he would go insane if he had to listen to their chatter for one moment longer—but the child laughed as the friendly bunch poked their noses into his soft belly. When he began to swim, they swam with him, chattering so fast that not even the elder of the pod could understand their language. He learned to hunt among the dolphins before he learned among his pod, and chattered with them in the bright squeaks and whistles. His mother almost smiled.
And the dolphins shall know him, as they know my child Feldspar, and they shall teach him...
Almost as soon as he'd learned to speak, he'd learned to sing. He started off simply—a single toned voice much like any other child, singing back the songs she'd sung to him as a baby. But there were other melodies, that emerged not long after, blending into two vocal tones, then three, then four—an impressive voice, even for an adult, and especially impressive for a child. But the songs were different, with words and phrases he'd never heard, then ones his parents had never heard. She didn't want to ask.
Illa shall sing with him, and teach him all her songs...
On occasion, they would visit the shore, and lie on their backs on the smooth rocks at low tide. He would lie next to her, nesting between her arm and the bend of her hip, staring upwards in wonder at the stars. She asked him what he saw, and tried very hard not to cry as he identified the constellations, one by one, without ever being told.
She didn't want to believe it.
The stars will be as simple as the water, as Somin tells all he knows.
He loved to play, with the dolphins or anyone who was willing. The dolphins didn't play with him as much when their pod joined to a larger one, but there was still always a few tagging along behind. The other children—who were always bigger or smaller than him by half a year—taught him a few games. The dolphins foiled his every attempt at hide and seek. He was a fair shot at tag. He lagged a bit at catch-the-otter, but that was alright. But he came up with new games, other games, and soon the adults began to ask their children where these strange games had come from. They told, and he was asked.
“There's someone in a dream who tells me about them,” he said. “Just like the one who told me about the stars.”
And Hollin shall teach him games, as he has always taught my children, and he shall play...
It was possible, at this point, for her to still imagine he was not the solstice child. The six children of legend had been known to visit some in dreams and teach them great things, and though it might have been a stretch of the imagination to believe that four of them would bless her child, it was not impossible. And even a desperate hope is better than none.
But she still knew, in her heart, that he was.
They left the new pod not long after that.
They found ruins, from before Alanti, and stayed there for a few days. The buildings were alien to all of them, the carvings barely perceptible, and the runes meaningless—but he understood them. She found him explaining to one of the younger children what the carvings meant, what the runes meant, the stories they told, as clearly and as plainly as if it were as simple as what fish you would eat and what would eat you. She could not turn away, as if in horror.
Karo shall teach him words, letters, all that shall be lost to you...
It was in his twelfth year, at the solstice festival, that she finally, finally, could not deny it any longer. The elder was telling a story, that he had never heard—she knew he had never heard, for it was one she hadn't heard since she was a child, one of those stories that by tradition was only told every fourteen years, to mark the fourteen the solstice child would one day (not yet, she hoped) be among them. He nudged her again, and again, until she finally whispered, “What?”
“Mama, he's got the story wrong!”
She asked him how. He told her the way the story was supposed to be—the way she's heard it as a child. When he finished, she realized the whole gathering was watching him, listening in rapt attention to the true and real story. The elder had fallen silent.
So she asked him, late that night when none were listening, where he had heard the story, and why he knew it so well.
“She tells me—a girl a lot older than me, but not a grownup. She's purple.”
“Is she like the one who told you about the stars?”
“And the songs, and the runes, and the games, and the dolphins, Mama!” He nodded. “They talk to me when I'm sleeping.”
And Urma shall tell him her stories, though they may pass away in time, he shall know them...
“How many of them,” she'd asked carefully, “do you see?”
“Seven, Mama.”
“You mean six,” she corrected quickly, hoping so desperately he was wrong.
“No, Mama. There are seven.”
Though all may see these six in dreams, to hear the stories or learn the stars, only the Child shall see the seventh.
And Antioch shall guide him.
She could not deny the signs any longer.
They had to kill him.
She didn't want to. What mother would, what father would? They loved him, even if he was the solstice child, even if the world would end, he was still their child, their only child. They made a knife from obsidian shards, and tucked it away with a quiet promise to each other that tomorrow, tomorrow, the deed would be done.
Tomorrow came and went, again and again. The deed was not done, never done, not for another year. He was only twelve, they still had time—another day would not destroy the world. His father gave him the knife as a present two days after his thirteenth birthday, on the day he thought he had been born.
He was old enough to hunt on his own, among the dolphins that still followed him. He was old enough to wind shells and coins and tattered rope into a bracelet for his mother, and another for himself. He was old enough to understand and fear the coming of the solstice child.
He was not old enough to understand that he was the solstice child.
The days flickered past. She knew they had to kill him soon, before the fourteenth year, before he was taken from them and all hope was lost. His father became a little more resolute on the matter, steeling his nerves, determined not to force his wife to do it. They made another knife, larger, more deadly—the first one had gotten a little chipped in the hands of their son.
They would explain it to him. It wasn't fair any other way—his mother wished more than anything that they had killed him before he was old enough to love them. He had to understand what he was, what he was destined to do. How that destiny had to be fought. Why. The death would be swift. She knew it would still be hard, still be painful. But he would at least know, and his spirit would be free to wander.
But the days still washed by them like waves, and time was running short.
They fixed a date. The day they were intended to leave for the solstice festival. He would be sent out to hunt, so they would be late. The others would leave them behind, and they would be free to do the deed alone. He would return, ask where the others had gone, and it would be explained. The deed would be done. The world would be saved.
He was sent off to hunt.
The others left.
And they waited.
And waited.
And waited.
And waited.
And he never returned.
She did not know if Antioch had guided him away from them, or if he had understood more than they knew. Perhaps some chance circumstance had done the deed for them, a shark, an orca, a fisherman's net. She grieved for him if he was dead.
She grieved for the world if he were alive.
Sunday, April 11, 2010
Lies and Magic
“I'm not lying. I don't lie.” The magician tossed the silver rings from one hand to the other. “Or at least, I do my best not to.”
“You're a magician. Everything you do is a lie.” The inventor shook his head, watching the smaller man carefully. “By definition, I mean.”
“Not really.” The smaller man looked rueful. “Those lies are what makes it so hard for you to believe in me. But I'm not lying.”
“Why on earth not?”
“Because falsehood is the death of magic. It's what makes most of us, yeah, but once you learn, just once, that the magic is a trick...” he pulled the rings apart effortlessly, snapped them back together, twisted them in and out as he spoke, “You never believe again. You find it amazing, but... you never really trust in it. Every trick is just a trick, that you're an inch away from figuring out.” He tossed the rings into the air, and they vanished. “So if I trick you again and again, then when I want to show you something real...” He pulled the rings out of his sleeve. “You won't believe me.”
“We don't believe you anyway.”
“Which is why I never lie.” The magician smiled. “So when I find some real magic...” He put a hand to the windowpane, glancing out at the darkened sky. “You'll believe it really is.”
The world outside suddenly exploded into light, as a thousand tiny lights rushed by the windows of the airship, swirling in the drafts kicked up by its wings and dancing around like an enormous ballet. Amongst the lights were doves, diving in and out of the chaos with swooping wings and snow-white feathers. The inventor's jaw dropped.
“How did you...”
“I didn't do a thing.” The magician smiled. “That, my friend, was entirely real.”
“But...”
“I think...” the magician trailed off, watching the display with hidden eyes, “The trick to magic, if you will, is believing it will be. Magic, that is. Whether you find that in one of my little tricks or in the sunset or the sea or the patterns of light coming through the trees is up to you. Or even,” he motioned to the fantastic display outside the window, “something as simple as a swarm of fireflies. There's magic in all of them, if you choose to believe it.”
“And if I don't?”
“Then there isn't. You can go on living as if magic doesn't exist.” He sighed, and began to twist the silver rings again. "But that, to me, seems like just about the worst way to live. Why not simply believe?"
“You're a magician. Everything you do is a lie.” The inventor shook his head, watching the smaller man carefully. “By definition, I mean.”
“Not really.” The smaller man looked rueful. “Those lies are what makes it so hard for you to believe in me. But I'm not lying.”
“Why on earth not?”
“Because falsehood is the death of magic. It's what makes most of us, yeah, but once you learn, just once, that the magic is a trick...” he pulled the rings apart effortlessly, snapped them back together, twisted them in and out as he spoke, “You never believe again. You find it amazing, but... you never really trust in it. Every trick is just a trick, that you're an inch away from figuring out.” He tossed the rings into the air, and they vanished. “So if I trick you again and again, then when I want to show you something real...” He pulled the rings out of his sleeve. “You won't believe me.”
“We don't believe you anyway.”
“Which is why I never lie.” The magician smiled. “So when I find some real magic...” He put a hand to the windowpane, glancing out at the darkened sky. “You'll believe it really is.”
The world outside suddenly exploded into light, as a thousand tiny lights rushed by the windows of the airship, swirling in the drafts kicked up by its wings and dancing around like an enormous ballet. Amongst the lights were doves, diving in and out of the chaos with swooping wings and snow-white feathers. The inventor's jaw dropped.
“How did you...”
“I didn't do a thing.” The magician smiled. “That, my friend, was entirely real.”
“But...”
“I think...” the magician trailed off, watching the display with hidden eyes, “The trick to magic, if you will, is believing it will be. Magic, that is. Whether you find that in one of my little tricks or in the sunset or the sea or the patterns of light coming through the trees is up to you. Or even,” he motioned to the fantastic display outside the window, “something as simple as a swarm of fireflies. There's magic in all of them, if you choose to believe it.”
“And if I don't?”
“Then there isn't. You can go on living as if magic doesn't exist.” He sighed, and began to twist the silver rings again. "But that, to me, seems like just about the worst way to live. Why not simply believe?"
Sunday, April 04, 2010
In the Solution
The room was silent, totally silent, as he waited. The vent above his head didn't rattle; the hardwood chair didn't creak as he shifted in it; there were no voices from down the hall that passed his way. He could almost hear his own heartbeat.
In short, it was unnerving.
He stood, not for the first time, pacing back and forth as he waited for the other door to open. There was no clock, but he was sure they were late. Agent Sampson was supposed to be here fifteen minutes ago. And the man was not known for tardiness.
Tin sat again, forcing himself into the placid complacency that had once come so naturally to him. Agent Sampson would be here. There was a reason, he didn't need it. There was always a reason.
The room was small, gray and featureless. On one side there was a mirror, behind which he knew was another room that watched over him, but nobody was in it-the door that lead into it had been open when he passed coming into this one. There was a table scarred with long use, and two hardwood chairs, one on either side of the table. On the opposite side of the table from him was a cardboard shoe box, slightly battered and with a lid that didn't quite fit. He hadn't opened it.
Another five minutes ticked by. He shifted again, annoyed. Though he had very little better to do, he still detested wasting time like this. He glanced at the shoe box again.
Why would Agent Sampson bring a shoe box? He must have left it here—nobody else used this room, after all. Was there something important in it? Tin fought back the urge to look for a few moments longer, then finally gave in, pulling the box cautiously across the table. He removed the lid cautiously, half expecting something to jump out at him. Nothing did. He set the thing aside.
Inside lay two black wristbands, bearing the names of bands he didn't recognize, and a hat with a couple buttons pinned to one side. He examined it, then set it aside, rapidly losing interest.
The last object caught his attention, though. A multicolored cube, with nine different-colored squares on each side, their arrangement seemingly random. He picked it up, and turned it over. Every side was the same way. The sides looked like they could rotate-he tried it. They could. He twisted it around for a moment, more for something to do than in any actual goal, before he quite suddenly remembered.
The colors were all supposed to be on the same side. He didn't know how he knew that, and he sat for a moment staring at the thing, fighting back the shock and an overwhelming feeling he didn't recognize. He started twisting it again, experimenting.
The rapid clicking of the cube soon filled the room as he twisted it this way and that, trying to make sense of the pattens. Every so often, a flash of something would hit him, sometimes little things, and others so much to make him stop, staring wildly at the cube. It was a rubix cube. There'd been a party. There was a brick house, a school, a chain link fence in front of an abandoned factory. The door wouldn't latch. A black cat that hated him. He didn't know what was happening, but he couldn't bear for it to stop.
The sides of the cube spun faster and faster as he focused all of his attention on it and the patterns gradually worked themselves out in his head. A math class, a girl, a beat-up red locker. A small room at the top of a long staircase, painted blue. Posters, pictures, something that looked like a kid had drawn it. An old computer, a set of beat up speakers, a blue guitar.
Bits and pieces were beginning to fall into place now. Recognizable patterns began to form on the sides of the cube, and he bit his lip, trying to focus on that only as every part of his mind screamed for attention. Voices he recognized, but didn't remember, someone telling him to do the dishes, his own voice speaking back. The feel of a spiral bound notebook pressed up against his palm. A teacher, telling him to focus.
He paused for a moment, and the room fell back into that blank, empty silence that had been there before, what felt like hours ago as he let the memories—they were memories—fall into place. A wall in his head was crumbling, it felt like, and everything behind it was rushing in all at once. He started to feel lightheaded. The house was his, the locker was his, the room and guitar and posters and... and everything. That was his past.
He forced it back, ripping his attention back to the cube in his hands. He was almost there. He started twisting again, fighting against every new revelation as he did. A mother, a father, his own hands, so much younger. He forced himself to only see the cube.
The last piece fell into place, and suddenly the noise in his head died away, falling back in the place of one word, which he uttered aloud.
“...Peter.”
The empty room didn't respond. He stood, holding the solved cube in shaking hands.
“My name is Peter.” He looked up. “My name is Peter!”
I wrote this in like, December, but I liked it enough to post. It happens towards the end of Tin's story, and is a bit of a spoiler, really. Wish it had something more to do with Easter, though if you squint and read my mind, you could kinda get that, I guess.. Ah well. Happy Easter to you all!
In short, it was unnerving.
He stood, not for the first time, pacing back and forth as he waited for the other door to open. There was no clock, but he was sure they were late. Agent Sampson was supposed to be here fifteen minutes ago. And the man was not known for tardiness.
Tin sat again, forcing himself into the placid complacency that had once come so naturally to him. Agent Sampson would be here. There was a reason, he didn't need it. There was always a reason.
The room was small, gray and featureless. On one side there was a mirror, behind which he knew was another room that watched over him, but nobody was in it-the door that lead into it had been open when he passed coming into this one. There was a table scarred with long use, and two hardwood chairs, one on either side of the table. On the opposite side of the table from him was a cardboard shoe box, slightly battered and with a lid that didn't quite fit. He hadn't opened it.
Another five minutes ticked by. He shifted again, annoyed. Though he had very little better to do, he still detested wasting time like this. He glanced at the shoe box again.
Why would Agent Sampson bring a shoe box? He must have left it here—nobody else used this room, after all. Was there something important in it? Tin fought back the urge to look for a few moments longer, then finally gave in, pulling the box cautiously across the table. He removed the lid cautiously, half expecting something to jump out at him. Nothing did. He set the thing aside.
Inside lay two black wristbands, bearing the names of bands he didn't recognize, and a hat with a couple buttons pinned to one side. He examined it, then set it aside, rapidly losing interest.
The last object caught his attention, though. A multicolored cube, with nine different-colored squares on each side, their arrangement seemingly random. He picked it up, and turned it over. Every side was the same way. The sides looked like they could rotate-he tried it. They could. He twisted it around for a moment, more for something to do than in any actual goal, before he quite suddenly remembered.
The colors were all supposed to be on the same side. He didn't know how he knew that, and he sat for a moment staring at the thing, fighting back the shock and an overwhelming feeling he didn't recognize. He started twisting it again, experimenting.
The rapid clicking of the cube soon filled the room as he twisted it this way and that, trying to make sense of the pattens. Every so often, a flash of something would hit him, sometimes little things, and others so much to make him stop, staring wildly at the cube. It was a rubix cube. There'd been a party. There was a brick house, a school, a chain link fence in front of an abandoned factory. The door wouldn't latch. A black cat that hated him. He didn't know what was happening, but he couldn't bear for it to stop.
The sides of the cube spun faster and faster as he focused all of his attention on it and the patterns gradually worked themselves out in his head. A math class, a girl, a beat-up red locker. A small room at the top of a long staircase, painted blue. Posters, pictures, something that looked like a kid had drawn it. An old computer, a set of beat up speakers, a blue guitar.
Bits and pieces were beginning to fall into place now. Recognizable patterns began to form on the sides of the cube, and he bit his lip, trying to focus on that only as every part of his mind screamed for attention. Voices he recognized, but didn't remember, someone telling him to do the dishes, his own voice speaking back. The feel of a spiral bound notebook pressed up against his palm. A teacher, telling him to focus.
He paused for a moment, and the room fell back into that blank, empty silence that had been there before, what felt like hours ago as he let the memories—they were memories—fall into place. A wall in his head was crumbling, it felt like, and everything behind it was rushing in all at once. He started to feel lightheaded. The house was his, the locker was his, the room and guitar and posters and... and everything. That was his past.
He forced it back, ripping his attention back to the cube in his hands. He was almost there. He started twisting again, fighting against every new revelation as he did. A mother, a father, his own hands, so much younger. He forced himself to only see the cube.
The last piece fell into place, and suddenly the noise in his head died away, falling back in the place of one word, which he uttered aloud.
“...Peter.”
The empty room didn't respond. He stood, holding the solved cube in shaking hands.
“My name is Peter.” He looked up. “My name is Peter!”
I wrote this in like, December, but I liked it enough to post. It happens towards the end of Tin's story, and is a bit of a spoiler, really. Wish it had something more to do with Easter, though if you squint and read my mind, you could kinda get that, I guess.. Ah well. Happy Easter to you all!
Sunday, March 28, 2010
Naming
I promise you've seen at least one of these characters before, so it totally counts as continuation. Yes.
He blinked at the sudden brightness, struggling to follow the fast-moving shadows that swarmed across the room. There were close to thirty of the children here, he realized as his eyes adjusted. Some played on the floor with battered toys, some worked on small projects on the scattered wooden tables. A few were sleeping, on benches or tables or whatever came to hand. Everyone looked up at his entrance as his young guide dragged him inside, slamming the door behind them.
For a log moment they just stared at him, battered toys and games forgotten, and he shrunk back just a little, back towards the world of mud and exhaustion that had been his only home for so long. Nobody moved, nobody spoke. Everyone simply watched, with cautious, suspicious eyes, and the room hung frozen.
Finally, one of the girls spoke up. “Who'd you find, Mikhail?”
And then the noise crashed into his mind like a wave, sweeping him up in the rush of children. They ran towards him, swarming around him like moths around a light. One took his backpack; another helped him out of the battered coat. He could barely make out single voices in the massive barrage of questions as the kids took both his hands and pulled him towards the room's big open fireplace.
“Did you walk all the way...” “Where'd you get that big mark on...” “Do you like potato soup, or...” “...Have a name?” “Did you come to see...” “Can I...” “...You want me to...” “Theia?” “...Look in your backpack, please? I won't touch...”
“Hang up!” shouted his rescuer, clapping his good arm to the bandaged one with the odd crash of resounding metal. “Quit with the questions! Give him a chance to catch his breath. The guy's been walking for like, ever! ”
“How long is like ever?” asked one of the littler girls, staring at him with wide eyes.
The boy—Mikhail, he corrected himself—paused a moment, then turned to the chimera, momentarily lost. “How long have you been walking?”
“A... A long time. Four years.” The words sounded strange, his own voice unfamiliar. He hadn't spoken to another living creature in almost that long. Four years. Really?
The children gave a simultaneous “Oooooh,” clearly very impressed. “That's longer than Tina's been alive!” piped up one boy. “And she's old enough to punch!”
A crash sounded from one of the small doors that edged the big central hall. “I got a blanket!” Another boy, this one with shaggy blonde hair only kept out of his eyes by the speed at which he was moving, skidded through the doorway, stumbling as he made the sharp turn. “Three of 'em!” He dumped all three rather unceremoniously on the chimera's lap, smiling widely.
“Thank you,” he said, trying to return the smile.
“Not a problem!” The boy ducked his head respectfully. “I'm Wilbur. What's your name?”
“I...” he paused, momentarily lost. “I don't really have one anymore,” he admitted quietly. The whole assembly stared for a moment longer until they again exploded into sound.
“You should be Gilgamesh!” shouted one, waving his hand wildly.
“No, Izangati!”
“Gabrialla!”
“That's a girl's name!” someone shouted indignantly. “You should be Antonio!”
“You can be Misha, cause that's my name too! We'll both be Misha!”
“Vincent! You should be Vincent!”
“Compass! Umbrella!”
“...Not even real names!”
“Gabriella!”
“Hang up!” yelled Mikhail again, clapping twice. “He can't be named everything.”
“We should vote,” suggested Wilbur. “Like we do with babies.”
“That won't work.” Mikhail said flatly. “Babies don't care what their name is.”
Wilbur thought for a moment. “Right. How about he picks one, then?”
“I was gonna suggest that,” muttered the older boy. He turned to the chimera. “Well, how about it? What should your name be?”
“I...” He paused for a moment longer, thinking, then shook his head. “I really don't know.”
“So should we vote then?”
“We always end up with something stupid when we vote without Thiea here. Like Toastpants.” Mikhail crossed his arms. “Let's vote on some names, and then he can find one he likes off of those.”
“That'll take forever!” Wilber whined.
“Toastpants.” Mikhail enunciated, like that one word would win him the whole argument.
Apparently, it did. “Fine.” The blonde boy sulked. “But what are we supposed to call him until then?”
“Gabriella!”
"No!"
He blinked at the sudden brightness, struggling to follow the fast-moving shadows that swarmed across the room. There were close to thirty of the children here, he realized as his eyes adjusted. Some played on the floor with battered toys, some worked on small projects on the scattered wooden tables. A few were sleeping, on benches or tables or whatever came to hand. Everyone looked up at his entrance as his young guide dragged him inside, slamming the door behind them.
For a log moment they just stared at him, battered toys and games forgotten, and he shrunk back just a little, back towards the world of mud and exhaustion that had been his only home for so long. Nobody moved, nobody spoke. Everyone simply watched, with cautious, suspicious eyes, and the room hung frozen.
Finally, one of the girls spoke up. “Who'd you find, Mikhail?”
And then the noise crashed into his mind like a wave, sweeping him up in the rush of children. They ran towards him, swarming around him like moths around a light. One took his backpack; another helped him out of the battered coat. He could barely make out single voices in the massive barrage of questions as the kids took both his hands and pulled him towards the room's big open fireplace.
“Did you walk all the way...” “Where'd you get that big mark on...” “Do you like potato soup, or...” “...Have a name?” “Did you come to see...” “Can I...” “...You want me to...” “Theia?” “...Look in your backpack, please? I won't touch...”
“Hang up!” shouted his rescuer, clapping his good arm to the bandaged one with the odd crash of resounding metal. “Quit with the questions! Give him a chance to catch his breath. The guy's been walking for like, ever! ”
“How long is like ever?” asked one of the littler girls, staring at him with wide eyes.
The boy—Mikhail, he corrected himself—paused a moment, then turned to the chimera, momentarily lost. “How long have you been walking?”
“A... A long time. Four years.” The words sounded strange, his own voice unfamiliar. He hadn't spoken to another living creature in almost that long. Four years. Really?
The children gave a simultaneous “Oooooh,” clearly very impressed. “That's longer than Tina's been alive!” piped up one boy. “And she's old enough to punch!”
A crash sounded from one of the small doors that edged the big central hall. “I got a blanket!” Another boy, this one with shaggy blonde hair only kept out of his eyes by the speed at which he was moving, skidded through the doorway, stumbling as he made the sharp turn. “Three of 'em!” He dumped all three rather unceremoniously on the chimera's lap, smiling widely.
“Thank you,” he said, trying to return the smile.
“Not a problem!” The boy ducked his head respectfully. “I'm Wilbur. What's your name?”
“I...” he paused, momentarily lost. “I don't really have one anymore,” he admitted quietly. The whole assembly stared for a moment longer until they again exploded into sound.
“You should be Gilgamesh!” shouted one, waving his hand wildly.
“No, Izangati!”
“Gabrialla!”
“That's a girl's name!” someone shouted indignantly. “You should be Antonio!”
“You can be Misha, cause that's my name too! We'll both be Misha!”
“Vincent! You should be Vincent!”
“Compass! Umbrella!”
“...Not even real names!”
“Gabriella!”
“Hang up!” yelled Mikhail again, clapping twice. “He can't be named everything.”
“We should vote,” suggested Wilbur. “Like we do with babies.”
“That won't work.” Mikhail said flatly. “Babies don't care what their name is.”
Wilbur thought for a moment. “Right. How about he picks one, then?”
“I was gonna suggest that,” muttered the older boy. He turned to the chimera. “Well, how about it? What should your name be?”
“I...” He paused for a moment longer, thinking, then shook his head. “I really don't know.”
“So should we vote then?”
“We always end up with something stupid when we vote without Thiea here. Like Toastpants.” Mikhail crossed his arms. “Let's vote on some names, and then he can find one he likes off of those.”
“That'll take forever!” Wilber whined.
“Toastpants.” Mikhail enunciated, like that one word would win him the whole argument.
Apparently, it did. “Fine.” The blonde boy sulked. “But what are we supposed to call him until then?”
“Gabriella!”
"No!"
Sunday, March 21, 2010
More story bits
“Because, I mean, it seems so indefinite, really.” He gestured vaguely off to one side, floppy sleeve almost totally covering his hand. “You say you've grown up, you say I haven't. You're probably right, you know, but really, if it's so necessary you'd think I'd have got the hang of it by now.”
“You are grown up. You just refuse to admit it; you see the world like a kid and you refuse to believe anything else!”
“And is that really so terrible?” The magician stopped. “I do believe in other things. I know bad things happen. I know the lies. I know the truth. But I don't have to believe that all the good things are gone either.” He looked away, out the tiny windows. “Grown-up, I think, is when you decide to stop believing that things can be amazing. Maybe not big things, but little things. You stop seeing things as beautiful, and just start seeing things as there. You don't think it matters anymore.”
“It doesn't.” The inventor stopped as well, finally turning to face the magician.
“Why not?” He spread his hands, palms up. “It mattered then. It was beautiful then. Does the magic of the world really have to die that quickly?”
“It's just... not anymore.” The inventor leaned against the doorway, really thinking about it now. “Things just aren't amazing, and aren't beautiful.”
“Not anymore.” The magician sighed, taking off both top hats and closing his eyes in the afternoon sunlight. “Do you know, it's so much easier to grow up than it is to grow back down? I did grow up, you know. It was the worst thing that ever happened to me, and it was so hard, so very hard to grow back down. I had to choose to believe in the magic, every day. I had to look for it.”
“You can't grow back down. Not once you've grown up.” The inventor shook his head. “It's impossible.”
“No.” The magician smiled, then put his hat back on. “Just hard.”
He was a secret, once, before. A real secret, like between two lovers, whispered quietly or not at all, and for no one else, no one, not ever. He was hidden well, hidden perfectly. He may have been loved, he may have been hated. It didn't matter. He was simply secret.
But she, she is the child, who looks in at the wrong moment and sees. Only a child, knowing not what she's found, not what it means or what desperate lovers will do to take their secret back. She only knows that she has found it, and she likes it. And it is her secret too, now. He is her secret, not hidden so well, but still hidden. Better loved, at least.
But she is a child, and children cannot keep secrets. She may whisper it to one, perhaps only to herself, but the other children will hear. And whispers, only ever whispers, spread like fire. The whole world will burn before too long, but she doesn't know that yet, for she is a child. He is still secret, now and for as long as she can keep him. But her parents will whisper, and her neighbors will whisper, and whispers echo and burn. The secret will be a secret to all of them, until he is a secret to none.
And then the world will burn, and he will burn, and be gone. Ashes.
“You amaze me.” Crash shook his head. “What, did you trade the part of your brain that handles emotions for a double dose of mechanical knowledge?”
“I guess.” Jack shrugged, blandly trying to explain himself. “I can't see any other reason I could be this bad at this.”
“Lack of practice would be my guess.” Crash looked his employer over skeptically. “Though I honestly can't say I was ever as bad as you.”
“Whatever,” Jack sat against the wall with a sigh. “She's not mad at me, I think.”
“There is absolutely no way you can be certain about that.” Crash warned. “She is still a woman.”
“What if I'm 75% certain, based on a number of different variables, that she is not mad at me?”
“Then she's mad at you.”
Jack swore softly. “I said I was sorry...”
“Then she won't be mad at you for as long. Maybe. I don't really know.”
“Whatever.” Jack pulled his mask off, setting it aside as he pulled his knees into his body. “I tried, at least. That should count for something.”
“It doesn't.”
Jack swore again.
“You are grown up. You just refuse to admit it; you see the world like a kid and you refuse to believe anything else!”
“And is that really so terrible?” The magician stopped. “I do believe in other things. I know bad things happen. I know the lies. I know the truth. But I don't have to believe that all the good things are gone either.” He looked away, out the tiny windows. “Grown-up, I think, is when you decide to stop believing that things can be amazing. Maybe not big things, but little things. You stop seeing things as beautiful, and just start seeing things as there. You don't think it matters anymore.”
“It doesn't.” The inventor stopped as well, finally turning to face the magician.
“Why not?” He spread his hands, palms up. “It mattered then. It was beautiful then. Does the magic of the world really have to die that quickly?”
“It's just... not anymore.” The inventor leaned against the doorway, really thinking about it now. “Things just aren't amazing, and aren't beautiful.”
“Not anymore.” The magician sighed, taking off both top hats and closing his eyes in the afternoon sunlight. “Do you know, it's so much easier to grow up than it is to grow back down? I did grow up, you know. It was the worst thing that ever happened to me, and it was so hard, so very hard to grow back down. I had to choose to believe in the magic, every day. I had to look for it.”
“You can't grow back down. Not once you've grown up.” The inventor shook his head. “It's impossible.”
“No.” The magician smiled, then put his hat back on. “Just hard.”
He was a secret, once, before. A real secret, like between two lovers, whispered quietly or not at all, and for no one else, no one, not ever. He was hidden well, hidden perfectly. He may have been loved, he may have been hated. It didn't matter. He was simply secret.
But she, she is the child, who looks in at the wrong moment and sees. Only a child, knowing not what she's found, not what it means or what desperate lovers will do to take their secret back. She only knows that she has found it, and she likes it. And it is her secret too, now. He is her secret, not hidden so well, but still hidden. Better loved, at least.
But she is a child, and children cannot keep secrets. She may whisper it to one, perhaps only to herself, but the other children will hear. And whispers, only ever whispers, spread like fire. The whole world will burn before too long, but she doesn't know that yet, for she is a child. He is still secret, now and for as long as she can keep him. But her parents will whisper, and her neighbors will whisper, and whispers echo and burn. The secret will be a secret to all of them, until he is a secret to none.
And then the world will burn, and he will burn, and be gone. Ashes.
“You amaze me.” Crash shook his head. “What, did you trade the part of your brain that handles emotions for a double dose of mechanical knowledge?”
“I guess.” Jack shrugged, blandly trying to explain himself. “I can't see any other reason I could be this bad at this.”
“Lack of practice would be my guess.” Crash looked his employer over skeptically. “Though I honestly can't say I was ever as bad as you.”
“Whatever,” Jack sat against the wall with a sigh. “She's not mad at me, I think.”
“There is absolutely no way you can be certain about that.” Crash warned. “She is still a woman.”
“What if I'm 75% certain, based on a number of different variables, that she is not mad at me?”
“Then she's mad at you.”
Jack swore softly. “I said I was sorry...”
“Then she won't be mad at you for as long. Maybe. I don't really know.”
“Whatever.” Jack pulled his mask off, setting it aside as he pulled his knees into his body. “I tried, at least. That should count for something.”
“It doesn't.”
Jack swore again.
Sunday, March 14, 2010
Airplanes and books
“This is ridiculous. Ridiculous. The plane was supposed to leave an hour ago! It's not even here yet!” Jack stormed down the row of seats for the thousandth time, glaring darkly at the big airport windows overlooking the tarmak. “It's ridiculous. What, did the airplane run out of wings?”
“It probably hit some bad weather,” Amy said for the thousandth time, not looking up from her book. “Sit down.”
“I will not sit down! The plane should be here already!” He kicked the row of seats, vibrating it all the way down to where Crash was sleeping with a magazine over his face. The taller man groaned, and rolled over. “Why isn't it here?” The terminal was fortunately mostly deserted, save the occasional sleeping businessman, and two college students playing games on their phones on the opposite end of the big room. Nobody took notice of the blond man as he strode back and forth, gesturing wildly and ranting about the plane. Small blessings, Amy thought.
“Any number of reasons,” Amy replied calmly. “Most of which we went over an hour ago, and some before that.”
“But it's been an hour! When is that stupid plane going to come?” he asked, turning to her as if she knew.
“It'll come when it gets here. Now sit down.”
“I'm not going to sit down,” he pouted, crossing his arms. “And that's final.”
“Fine.” She turned the page of her book. “Suit yourself.”
Jack glared at her for a moment, then collapsed in the chair next to her. “It's supposed to be here already!” he complained. “I just don't get why it's not!”
“Mm.”
There was a moment's pause. “Can I have another sandwich?” he finally asked, hesitantly.
“Those were supposed to last the entire flight,” she sighed, setting down her book and digging through her carry on bag.
“That is entirely Crash's fault,” he pointed out as she handed him the sandwich. “I've only had one.”
“And he's only had three, so you're only one behind him now.” She closed the plastic bag with one hand, picking up her book again with the other. “What happened to that book of sudoku you bought from the gift shop?”
“I finished it,” replied Jack as he slouched against the hard gray plastic of the airport chair, his mouth still full of sandwich. “Too easy.”
“It was the hardest one they had...”
“Marketing.” He waved the sandwich in one hand. “All marketing. Crash could've done those puzzles.”
“The gift shop is still open, you know. You could go get a magazine...”
“I don't want a magazine!” He exclaimed. “All they have is lame stuff like TIME, and Newsweek. Who cares about stuff like that?”
She sighed again, having rather unpleasant flashbacks to her highschool days of babysitting her neighbor's seven year old. “Fine.” She snapped her book shut, and handed it to him. “You read my book, and I'll go get myself a magazine.”
He blinked, choking on a bite of pastrami. “But...”
“No buts. If you won't get yourself something, you read that.” She was two aisles away before he managed to swallow.
“But it's a romance!” he objected, turning around in his seat. “I can't read...”
“No buts!” She shouted back. “Read it or stop whining!”
“...Ok.” He turned back around. “Wasn't whining,” he muttered. “Perfectly legitimate complaint. Plane was supposed to be here an hour ago, should've been halfway to San Francisco by now.” He stared dismayedly at the cover of His Rose, which featured, in addition to some of the most illegibly beautiful pink cursive text he'd ever seen, a swooning woman in the arms of a man with his shirt half open. He raised one eyebrow as he read description on the back.
Rose is beautiful, it read, but terribly lonely. Spending her life under the control of her widowed stepfather, she feels she is doomed to die a spinster. Until one day, a handsome stranger collapses at the edge of the gardens, and she finds herself...
He covered his eyes and guessed at the rest of the paragraph. “...Strangely drawn to the mysterious enigma of a man. But will their love survive her stepfather's suspicion, or will the dark secret that brought him here destroy them both?” He opened his eyes. “Oh, enigmatic mystery of a man. Got it.”
“Don't even wanna know what you're talking about,” muttered Crash from the opposite aisle of seats.
“Shut up,” replied Jack cordially as he opened the book.
Amy returned a few moments later to find Jack calmly engrossed in the romance novel, and Crash asleep with the travel pillow over his eyes. She set down two motorcycle magazines easily within Jack's line of sight and reach, and opened up her own copy of Celebrity Homes and Gardens. She glanced up, a few minutes later. No good.
She pouted inwardly. She'd just gotten to the good part. With any luck he'd finish the novel as quickly as he'd finished the sudoku book.
It was nearly half an hour before Jack spoke again. “Oh, come on!” he exclaimed. “Using a poker in a swordfight is good and all, but it'd cool down by four minutes in! There's no way Morringston could've burned him!”
She very calmly attempted to ignore him, turning the page of an article on water gardens and acting like she was very engrossed in yet another picture of koi. Unfortunately, Jack had never been a quiet person.
“Come on, man, how are you missing this? She just freaking stole a horse to come find you, least you could do is say thanks,” he muttered. She glanced up at him, mildly annoyed. He didn't notice. “And she somehow magically knew to bring medical supplies. Yes. Great. Way to miss the moment, dude.”
“Jack, they can't hear you,” she reminded quietly, hoping he'd get the point.
“But he's a moron! He likes this Rose girl, and it's so obvious that she likes him, but he just doesn't see it! He's being all 'oh, she'd never want to be with a scoundrel like me,' and every conceivable piece of evidence is all like 'yes, dude, she does. Duh' and I'm guessing it will take her either getting kidnapped or terribly wounded before he finally admits this!”
“Well, it is a romance novel. If he got it right away, the book would be over already.”
“Dude's a moron.”
“They always are,” she muttered, going back to her magazine.
“It probably hit some bad weather,” Amy said for the thousandth time, not looking up from her book. “Sit down.”
“I will not sit down! The plane should be here already!” He kicked the row of seats, vibrating it all the way down to where Crash was sleeping with a magazine over his face. The taller man groaned, and rolled over. “Why isn't it here?” The terminal was fortunately mostly deserted, save the occasional sleeping businessman, and two college students playing games on their phones on the opposite end of the big room. Nobody took notice of the blond man as he strode back and forth, gesturing wildly and ranting about the plane. Small blessings, Amy thought.
“Any number of reasons,” Amy replied calmly. “Most of which we went over an hour ago, and some before that.”
“But it's been an hour! When is that stupid plane going to come?” he asked, turning to her as if she knew.
“It'll come when it gets here. Now sit down.”
“I'm not going to sit down,” he pouted, crossing his arms. “And that's final.”
“Fine.” She turned the page of her book. “Suit yourself.”
Jack glared at her for a moment, then collapsed in the chair next to her. “It's supposed to be here already!” he complained. “I just don't get why it's not!”
“Mm.”
There was a moment's pause. “Can I have another sandwich?” he finally asked, hesitantly.
“Those were supposed to last the entire flight,” she sighed, setting down her book and digging through her carry on bag.
“That is entirely Crash's fault,” he pointed out as she handed him the sandwich. “I've only had one.”
“And he's only had three, so you're only one behind him now.” She closed the plastic bag with one hand, picking up her book again with the other. “What happened to that book of sudoku you bought from the gift shop?”
“I finished it,” replied Jack as he slouched against the hard gray plastic of the airport chair, his mouth still full of sandwich. “Too easy.”
“It was the hardest one they had...”
“Marketing.” He waved the sandwich in one hand. “All marketing. Crash could've done those puzzles.”
“The gift shop is still open, you know. You could go get a magazine...”
“I don't want a magazine!” He exclaimed. “All they have is lame stuff like TIME, and Newsweek. Who cares about stuff like that?”
She sighed again, having rather unpleasant flashbacks to her highschool days of babysitting her neighbor's seven year old. “Fine.” She snapped her book shut, and handed it to him. “You read my book, and I'll go get myself a magazine.”
He blinked, choking on a bite of pastrami. “But...”
“No buts. If you won't get yourself something, you read that.” She was two aisles away before he managed to swallow.
“But it's a romance!” he objected, turning around in his seat. “I can't read...”
“No buts!” She shouted back. “Read it or stop whining!”
“...Ok.” He turned back around. “Wasn't whining,” he muttered. “Perfectly legitimate complaint. Plane was supposed to be here an hour ago, should've been halfway to San Francisco by now.” He stared dismayedly at the cover of His Rose, which featured, in addition to some of the most illegibly beautiful pink cursive text he'd ever seen, a swooning woman in the arms of a man with his shirt half open. He raised one eyebrow as he read description on the back.
Rose is beautiful, it read, but terribly lonely. Spending her life under the control of her widowed stepfather, she feels she is doomed to die a spinster. Until one day, a handsome stranger collapses at the edge of the gardens, and she finds herself...
He covered his eyes and guessed at the rest of the paragraph. “...Strangely drawn to the mysterious enigma of a man. But will their love survive her stepfather's suspicion, or will the dark secret that brought him here destroy them both?” He opened his eyes. “Oh, enigmatic mystery of a man. Got it.”
“Don't even wanna know what you're talking about,” muttered Crash from the opposite aisle of seats.
“Shut up,” replied Jack cordially as he opened the book.
Amy returned a few moments later to find Jack calmly engrossed in the romance novel, and Crash asleep with the travel pillow over his eyes. She set down two motorcycle magazines easily within Jack's line of sight and reach, and opened up her own copy of Celebrity Homes and Gardens. She glanced up, a few minutes later. No good.
She pouted inwardly. She'd just gotten to the good part. With any luck he'd finish the novel as quickly as he'd finished the sudoku book.
It was nearly half an hour before Jack spoke again. “Oh, come on!” he exclaimed. “Using a poker in a swordfight is good and all, but it'd cool down by four minutes in! There's no way Morringston could've burned him!”
She very calmly attempted to ignore him, turning the page of an article on water gardens and acting like she was very engrossed in yet another picture of koi. Unfortunately, Jack had never been a quiet person.
“Come on, man, how are you missing this? She just freaking stole a horse to come find you, least you could do is say thanks,” he muttered. She glanced up at him, mildly annoyed. He didn't notice. “And she somehow magically knew to bring medical supplies. Yes. Great. Way to miss the moment, dude.”
“Jack, they can't hear you,” she reminded quietly, hoping he'd get the point.
“But he's a moron! He likes this Rose girl, and it's so obvious that she likes him, but he just doesn't see it! He's being all 'oh, she'd never want to be with a scoundrel like me,' and every conceivable piece of evidence is all like 'yes, dude, she does. Duh' and I'm guessing it will take her either getting kidnapped or terribly wounded before he finally admits this!”
“Well, it is a romance novel. If he got it right away, the book would be over already.”
“Dude's a moron.”
“They always are,” she muttered, going back to her magazine.
Thursday, March 11, 2010
Flirting 101
A bit of introduction is in order for this one. This isn't an entire scene, and as such, it's almost entirely dialouge,between Alice, a librarian, and Marcelle, a much older librarian. This coversation came out of Marcelle wanting Alice to flirt with library patron Quinn, in order to get him to play the Mad Hatter for the library's upcoming book day. Alice refused flat out, and the conversation proceeded to here. It's short, and a bit different than what I normally try to write, but I liked it so much I just had to share.
“Well… We were going to plan the whole thing out, but then I mentioned Quinn, and Janice…” She blushed a little. “She’s been spending a little too much time in the historical romance section, if you ask me. She has some very… creative… ideas.”
“You’re impossible.” Alice turned away again.
“It was Janice that wanted to… Oh, fine. If you won’t flirt with him, I will.”
“You?” Alice did her very best not to look horrified. “But he’s twenty years…”
“Maybe he likes older women. That’d be quite nice, actually.” She mused. “Me, Mrs. Hunter, most envied woman this side of central branch. ‘Oh, Mrs. Hunter,’” her voice went up several octaves as she spoke, “’how did you ever catch such a prize of a man,’ they’ll ask me. ‘I’m so jealous, Mrs. Hunter!’ ‘Share with us your man catching secrets!’ And I’ll tell them—being sure to show off my huge diamond wedding ring from that fancy jewelry store where he works—I’d say ‘oh, it’s easy girls, you’ve just got to wear a short skirt and heels, and red lipstick, and you have to tell him just how handsome that fedora makes him look, or how much you admire his hairstyle every time you see him—don’t pay any attention to it if he seems a little creeped out, that’s just how men show affection. And of course, of course, you have to bat your eyes at him all the time. Wear lots of mascara, or fake eyelashes; that’ll be sure to get his attention. And swoon, girls, you have to swoon. Men love it when you swoon. Try and aim it so they can catch you in their big strong arms, because it’s not half so romantic if you get a concussion.” Marcelle acted everything out as she spoke it, batting her eyes and fake swooning, and Alice began to laugh. “Be sure to always act dainty and womanly… Though chivalry might be dead for some of your men—not for mine of course, but if they won’t be a gentleman, than I suppose daintiness isn’t required. It may still help though. Be sure to be afraid of spiders. Scream whenever you see one; this will give him opportunity to prove his manly courage and rescue you without expending too much effort. And of course…”
“Stop! Stop, alright!” Alice couldn’t stop laughing. “You’ll scare him into never coming here again!”
“Well, what choice do I have?” Marcelle acted injured, though there was a smile in her eyes. “When our only single, young, pretty blonde librarian refuses to do a little flirting in the name of literacy?”
“I’m still not gonna flirt with him.” Alice said, wiping here yes. “But…”
“But the flirting’s the fun part!”
“But I will ask.”
“That’s better.” Marcelle looked as smug as a cat. “He always comes in on Thursdays, so tomorrow, try not to look quite so much like a nun, alright?”
“I do not look like a nun!”
“Well… We were going to plan the whole thing out, but then I mentioned Quinn, and Janice…” She blushed a little. “She’s been spending a little too much time in the historical romance section, if you ask me. She has some very… creative… ideas.”
“You’re impossible.” Alice turned away again.
“It was Janice that wanted to… Oh, fine. If you won’t flirt with him, I will.”
“You?” Alice did her very best not to look horrified. “But he’s twenty years…”
“Maybe he likes older women. That’d be quite nice, actually.” She mused. “Me, Mrs. Hunter, most envied woman this side of central branch. ‘Oh, Mrs. Hunter,’” her voice went up several octaves as she spoke, “’how did you ever catch such a prize of a man,’ they’ll ask me. ‘I’m so jealous, Mrs. Hunter!’ ‘Share with us your man catching secrets!’ And I’ll tell them—being sure to show off my huge diamond wedding ring from that fancy jewelry store where he works—I’d say ‘oh, it’s easy girls, you’ve just got to wear a short skirt and heels, and red lipstick, and you have to tell him just how handsome that fedora makes him look, or how much you admire his hairstyle every time you see him—don’t pay any attention to it if he seems a little creeped out, that’s just how men show affection. And of course, of course, you have to bat your eyes at him all the time. Wear lots of mascara, or fake eyelashes; that’ll be sure to get his attention. And swoon, girls, you have to swoon. Men love it when you swoon. Try and aim it so they can catch you in their big strong arms, because it’s not half so romantic if you get a concussion.” Marcelle acted everything out as she spoke it, batting her eyes and fake swooning, and Alice began to laugh. “Be sure to always act dainty and womanly… Though chivalry might be dead for some of your men—not for mine of course, but if they won’t be a gentleman, than I suppose daintiness isn’t required. It may still help though. Be sure to be afraid of spiders. Scream whenever you see one; this will give him opportunity to prove his manly courage and rescue you without expending too much effort. And of course…”
“Stop! Stop, alright!” Alice couldn’t stop laughing. “You’ll scare him into never coming here again!”
“Well, what choice do I have?” Marcelle acted injured, though there was a smile in her eyes. “When our only single, young, pretty blonde librarian refuses to do a little flirting in the name of literacy?”
“I’m still not gonna flirt with him.” Alice said, wiping here yes. “But…”
“But the flirting’s the fun part!”
“But I will ask.”
“That’s better.” Marcelle looked as smug as a cat. “He always comes in on Thursdays, so tomorrow, try not to look quite so much like a nun, alright?”
“I do not look like a nun!”
Sunday, March 07, 2010
Sir (Meeting Old Crow)
Short introduction: Skie is a series of flying islands, ruled by a small number of city states that all hate each other. They've agreed to ban flying machines (Skyships) with the exception of a small police force for the sake of not killing each other, and of course, as for every law, there are those who live to break it.
The room was dark. Isaac peered in nervously, clenching the note in one balled fist. “Hello?”
There was no reply. He stepped through the doorway hesitantly, glancing around at the ashen shadows of the hanger. Huge, curving forms were suspended high overhead, with walkways interspersed here and there, with dangling ropes and curling pipes winding along the pathways. His eyes adjusted as he stood in the darkness that ate all the color out of it, staring. There was a window, somewhere high above him, but most of it's light had been lost to the thick coating of dust that fell heavy in the air.
Something moved near his feet. He jumped back, and the black and white cat stared at him, curious. He breathed out, relieved.
“Hello, uh, cat.” He knelt, holding out his hand to the creature. It examined him with a disdainful air, and paused for a moment, thinking.
And then it bit him.
“Ow!” he pulled his hand back abruptly. “Dumb cat!”
“His name is Ferris.” A woman's voice came from behind him, barely hiding a kind of sadistic, braying laughter. “He does that.”
“Oh!” Isaac whirled, forgetting his bleeding finger. “Who are you?”
“Same person that gave you the note, of course!” She laughed, switching on the lights. The room was not lit by a single bulb, but by close to a dozen separate light sources—ranging from an old, flickering fake-flame bulb to a string of Christmas lights. This oddity was lost on him, though, as he stared at the woman in front of him.
Old Crow looked remarkably like her wanted posters, it occurred to him. The high ponytail was a little longer, of a dark brown the color of dirt, and she looked a little younger—though, perhaps, that was the wide smile more than any actual indicators. The wrinkles around her eyes certainly didn't make her look any younger, but the freckles that dotted her face made her seem almost childlike as she stood, laughter plain in her face and her stance as he stared. Her clothes were baggy and warm, an old green sweater over burned, greasy work pants, and a leather tool belt that extended down one leg, not unlike his own. She wore combat boots, stained with mud, and he glanced back up at her face, feeling half afraid and half incredulous.
“Didn't your mother ever tell you it's not polite to stare?” she asked, moving in on him like a freight train. “Stand up straight, shut your mouth, and try not to look like a fish.” She prodded him into position, then surveyed him with a discerning smile. “Better. Now, you're the halfwit flier that I saved from the police ships today.” He nodded dully. “First time?”
“Um, yeah.”
“Yes, Sir.” She emphasized, looking pointedly at him. “Honestly, what do they teach you...”
He stared a moment before he finally caught on.“Yes Sir.”
“Better.” She gestured with a wrench at his ragged toolbelt. “Doesn't look like you know quite what you're doing, now does it.”
“Well, ah, no, sorry.” She shot him a glare. “Ma'am.”
“Sir!”
“Sir!” He held up his hands apologetically. “But it was my first time.”
“Flying or building?” She inquired, holding the wrench threateningly.
“Both... Sir.”
“Hm.” She surveyed him for a moment longer, like a general surveying their troops. “Not bad, then. Not bad at all.”
“Um, thank you.”
“Could've been a lot better, though!” She whirled, striding across the workshop. “Come with me. I'll teach you a thing or two.”
“Um, about what, exactly?” He followed her cautiously, being careful not to step on any of the myriad bits of ship scattered about.
“Building! Flying! What makes things go! Come on, boy, keep up!”
“Right.” He sped up his pace to where he was almost running. “So, um, Sir? Where are we going?”
“Workshop, where did you think?”
“You mean this isn't...”
“This is a hanger, boy! What did you think it was, a pretty princess powder room?” The gestures Old Crow made as she spoke would have been hilarious had she not been holding the wrench in the other hand. “Hanger, H-a-nggg-er! Say it with me now, haaaang-eeeer.” She stopped so abruptly that he almost ran into her, and whirled again. “I can't hear you.”
“Hanger.” He very hard not to look as shocked as he felt.
“Haaaaang-eeeer” She enunciated, though he couldn't quite tell what he'd said wrong.
“Haaaang-eeer.” He repeated.
“Better.” She nodded, turning again. “Hanger. Just do what I do, boy, and you'll learn the ropes in no time!”
"What ropes am I learning, exactly?"
"Look," She whirled to face him again. "Apparently, you're as smart as you are pretty. So let me spell this out for you. You have two choices. You can work for me, become my apprentice, and learn to build, maintain and fly faster than you ever could on your own. Ooor, this is the dumb choice, you can say no, and I hit you with this wrench and feed you to my cats."
"...The first one, please."
She glared at him for a moment.
"Sir."
This story is three years old. I swear. I just haven't posted any of it before.(Have you heard that before? Yessss.)
That being said, I think I'm actually running out of stories I've had for forever and not posted, so maybe we'll eventually get some continuity going on. Maybe. Unless I think of some new ones.
The room was dark. Isaac peered in nervously, clenching the note in one balled fist. “Hello?”
There was no reply. He stepped through the doorway hesitantly, glancing around at the ashen shadows of the hanger. Huge, curving forms were suspended high overhead, with walkways interspersed here and there, with dangling ropes and curling pipes winding along the pathways. His eyes adjusted as he stood in the darkness that ate all the color out of it, staring. There was a window, somewhere high above him, but most of it's light had been lost to the thick coating of dust that fell heavy in the air.
Something moved near his feet. He jumped back, and the black and white cat stared at him, curious. He breathed out, relieved.
“Hello, uh, cat.” He knelt, holding out his hand to the creature. It examined him with a disdainful air, and paused for a moment, thinking.
And then it bit him.
“Ow!” he pulled his hand back abruptly. “Dumb cat!”
“His name is Ferris.” A woman's voice came from behind him, barely hiding a kind of sadistic, braying laughter. “He does that.”
“Oh!” Isaac whirled, forgetting his bleeding finger. “Who are you?”
“Same person that gave you the note, of course!” She laughed, switching on the lights. The room was not lit by a single bulb, but by close to a dozen separate light sources—ranging from an old, flickering fake-flame bulb to a string of Christmas lights. This oddity was lost on him, though, as he stared at the woman in front of him.
Old Crow looked remarkably like her wanted posters, it occurred to him. The high ponytail was a little longer, of a dark brown the color of dirt, and she looked a little younger—though, perhaps, that was the wide smile more than any actual indicators. The wrinkles around her eyes certainly didn't make her look any younger, but the freckles that dotted her face made her seem almost childlike as she stood, laughter plain in her face and her stance as he stared. Her clothes were baggy and warm, an old green sweater over burned, greasy work pants, and a leather tool belt that extended down one leg, not unlike his own. She wore combat boots, stained with mud, and he glanced back up at her face, feeling half afraid and half incredulous.
“Didn't your mother ever tell you it's not polite to stare?” she asked, moving in on him like a freight train. “Stand up straight, shut your mouth, and try not to look like a fish.” She prodded him into position, then surveyed him with a discerning smile. “Better. Now, you're the halfwit flier that I saved from the police ships today.” He nodded dully. “First time?”
“Um, yeah.”
“Yes, Sir.” She emphasized, looking pointedly at him. “Honestly, what do they teach you...”
He stared a moment before he finally caught on.“Yes Sir.”
“Better.” She gestured with a wrench at his ragged toolbelt. “Doesn't look like you know quite what you're doing, now does it.”
“Well, ah, no, sorry.” She shot him a glare. “Ma'am.”
“Sir!”
“Sir!” He held up his hands apologetically. “But it was my first time.”
“Flying or building?” She inquired, holding the wrench threateningly.
“Both... Sir.”
“Hm.” She surveyed him for a moment longer, like a general surveying their troops. “Not bad, then. Not bad at all.”
“Um, thank you.”
“Could've been a lot better, though!” She whirled, striding across the workshop. “Come with me. I'll teach you a thing or two.”
“Um, about what, exactly?” He followed her cautiously, being careful not to step on any of the myriad bits of ship scattered about.
“Building! Flying! What makes things go! Come on, boy, keep up!”
“Right.” He sped up his pace to where he was almost running. “So, um, Sir? Where are we going?”
“Workshop, where did you think?”
“You mean this isn't...”
“This is a hanger, boy! What did you think it was, a pretty princess powder room?” The gestures Old Crow made as she spoke would have been hilarious had she not been holding the wrench in the other hand. “Hanger, H-a-nggg-er! Say it with me now, haaaang-eeeer.” She stopped so abruptly that he almost ran into her, and whirled again. “I can't hear you.”
“Hanger.” He very hard not to look as shocked as he felt.
“Haaaaang-eeeer” She enunciated, though he couldn't quite tell what he'd said wrong.
“Haaaang-eeer.” He repeated.
“Better.” She nodded, turning again. “Hanger. Just do what I do, boy, and you'll learn the ropes in no time!”
"What ropes am I learning, exactly?"
"Look," She whirled to face him again. "Apparently, you're as smart as you are pretty. So let me spell this out for you. You have two choices. You can work for me, become my apprentice, and learn to build, maintain and fly faster than you ever could on your own. Ooor, this is the dumb choice, you can say no, and I hit you with this wrench and feed you to my cats."
"...The first one, please."
She glared at him for a moment.
"Sir."
This story is three years old. I swear. I just haven't posted any of it before.(Have you heard that before? Yessss.)
That being said, I think I'm actually running out of stories I've had for forever and not posted, so maybe we'll eventually get some continuity going on. Maybe. Unless I think of some new ones.
Sunday, February 28, 2010
Meeting in the lane
So apparently, I haven't fooled anyone into thinking that I can keep my head in one story for more than twenty minutes. This is further evidence towards their point, and as such, a new story. A bit of introduction is necessary for this one. The story is set in late 1800's Europe, though I need to work on showing that in my dialouge, and stars Mary, a british author on holiday, and Charles, her unlucky suitor/stalker/friend, who, working together, create a fake detective and accidentally make him famous. This is early on in their working relationship.
The man I had collided with was not, fortunately, a stranger. The shaggy brown hair and startled eyes were extremely familiar, coming as they did attached to a beanpole of a man, shabbily dressed, and headed towards the inn where I was staying.
"Oh! Good day, Charles!" I said, trying to regain my composure.
“Mary!” Charles looked startled, nearly falling backwards into the woods as he stumbled to regain his balance. “What's going on? I heard there was a murder!”
“There was!” I whispered, pulling him off the lane towards a small stone bench. “But keep your voice down, I'm not supposed to have left.”
“What happened?” he asked, a little more quietly, glancing back up the road to the little inn.
“The desk clerk was poisoned. Looks like Arsenic to me, but they haven't let me inspect the body well enough to tell for sure.”
“You're trying to investigate?”
“Of course I...”
“Mary, just leave it to the police!” Charles implored, interrupting me. “They know what they're doing.”
“No they don't,” I retorted heatedly. “That inspector is a first class idiot—he's been promoted because of some rich uncle or something, I'm sure of it.”
“He can't be all that bad.” Charles glanced from side to side, making sure we were completely alone. “Can he?”
“He saw my name on the desk register and assumed it was a man.”
“”Well, Augustus is a man's name...”
“Well, yes, but when he came up to speak to me about the clerk's death, he assumed...” My embarrassment took over at that point. I turned bright red, and broke off abruptly.
“Assumed what?”
I took a deep breath, and attempted to continue. “I had to tell him Augustus was my brother, and not, in fact, my lover.” I had to look away as I spoke, trying to hide the burning blush on my face.
“He what?” I should have known better than to tell Charles that. His face turned redder than mine. “Why, that's an insult to your honor—I won't stand for it, I'll...”
“You will do nothing!” I caught his arm, holding him back. “The last thing I need right now is for someone to imply that I lied to a police inspector in the middle of an investigation!”
“But...” He sighed, calming down under my watchful eye. “Right.”
“Thank you.” I gave him a brief smile, before glancing back down the lane towards the inn. “But now he's looking for my supposed brother—he wants to interview him about where he was and what he was doing last night.”
“Oh.” Charles stood thinking for a moment and running a hand through his hair. “Well, that is troublesome.”
“Extremely.”
“I don't suppose you have a plan to divert them?”
“Not as of yet, no.” I sat down on the little bench with a sigh, momentarily stymied. “I've really gotten myself in deep this time.”
“No joke.” He sat next to me, thinking, before he suddenly stood again. “I've got it!”
“Got what?” I inquired, staring up at him.
“I'll masquerade as your brother!” he said triumphantly.
“Charles, we look nothing alike!” I objected.
“Well, not naturally, no.” he admitted. “But you've caught me before in disguise—I bet I could fool that police inspector!”
“But...” I trailed off. “I don't like it.”
“It's the only plan we've got.” He sat again, shrugging his shoulders. “Unless you've got a better one.”
“Unfortunately, I don't.” I sighed again, brushing the dirt off my skirts. “But do you really think you could pull that off?”
“I said you've caught me before.” His eyes twinkled as he spoke. “I didn't mention the times you haven't caught me.”
The man I had collided with was not, fortunately, a stranger. The shaggy brown hair and startled eyes were extremely familiar, coming as they did attached to a beanpole of a man, shabbily dressed, and headed towards the inn where I was staying.
"Oh! Good day, Charles!" I said, trying to regain my composure.
“Mary!” Charles looked startled, nearly falling backwards into the woods as he stumbled to regain his balance. “What's going on? I heard there was a murder!”
“There was!” I whispered, pulling him off the lane towards a small stone bench. “But keep your voice down, I'm not supposed to have left.”
“What happened?” he asked, a little more quietly, glancing back up the road to the little inn.
“The desk clerk was poisoned. Looks like Arsenic to me, but they haven't let me inspect the body well enough to tell for sure.”
“You're trying to investigate?”
“Of course I...”
“Mary, just leave it to the police!” Charles implored, interrupting me. “They know what they're doing.”
“No they don't,” I retorted heatedly. “That inspector is a first class idiot—he's been promoted because of some rich uncle or something, I'm sure of it.”
“He can't be all that bad.” Charles glanced from side to side, making sure we were completely alone. “Can he?”
“He saw my name on the desk register and assumed it was a man.”
“”Well, Augustus is a man's name...”
“Well, yes, but when he came up to speak to me about the clerk's death, he assumed...” My embarrassment took over at that point. I turned bright red, and broke off abruptly.
“Assumed what?”
I took a deep breath, and attempted to continue. “I had to tell him Augustus was my brother, and not, in fact, my lover.” I had to look away as I spoke, trying to hide the burning blush on my face.
“He what?” I should have known better than to tell Charles that. His face turned redder than mine. “Why, that's an insult to your honor—I won't stand for it, I'll...”
“You will do nothing!” I caught his arm, holding him back. “The last thing I need right now is for someone to imply that I lied to a police inspector in the middle of an investigation!”
“But...” He sighed, calming down under my watchful eye. “Right.”
“Thank you.” I gave him a brief smile, before glancing back down the lane towards the inn. “But now he's looking for my supposed brother—he wants to interview him about where he was and what he was doing last night.”
“Oh.” Charles stood thinking for a moment and running a hand through his hair. “Well, that is troublesome.”
“Extremely.”
“I don't suppose you have a plan to divert them?”
“Not as of yet, no.” I sat down on the little bench with a sigh, momentarily stymied. “I've really gotten myself in deep this time.”
“No joke.” He sat next to me, thinking, before he suddenly stood again. “I've got it!”
“Got what?” I inquired, staring up at him.
“I'll masquerade as your brother!” he said triumphantly.
“Charles, we look nothing alike!” I objected.
“Well, not naturally, no.” he admitted. “But you've caught me before in disguise—I bet I could fool that police inspector!”
“But...” I trailed off. “I don't like it.”
“It's the only plan we've got.” He sat again, shrugging his shoulders. “Unless you've got a better one.”
“Unfortunately, I don't.” I sighed again, brushing the dirt off my skirts. “But do you really think you could pull that off?”
“I said you've caught me before.” His eyes twinkled as he spoke. “I didn't mention the times you haven't caught me.”
Sunday, February 21, 2010
More bits of stories
The nightmares came suddenly, violently, in the midst of what was otherwise normal sleep. There was never a hint of warning beforehand—she always, always went straight into them, breaking the dreaming silence with a world-shattering scream. And she would fight. She would fight the air and the thin blanket, thrashing in an attempt to escape an invisible danger, so violent sometimes that he was afraid she would hurt herself. He always dropped out of the network when it happened, into his body to climb up the little tunnel into the cockpit and hold her, whether to keep her from hurting herself or simply because he didn't know what else to do. And he would stay with her, wrapping her in his arms, until the nightmare subsided from screams to whimpers, from sobs to heavy breathing and a tearstained face. And then he would lay her back down in the pilots seat, gently as ever, more gently than he ever did anything else, more than he ever let her know he could do, and watch, just for a moment, just to be really, truly sure she was fine. And he would climb back down the little tunnel and head back into the network, where he would wait. He would wait until she awoke again. They would both pretend that nothing was wrong.
In the forest there is a ruin, and in the ruin there is a clock tower. And in the clock tower, there is a man, barely a man, more a boy who's rather surprised to find himself taller; but he lives in the clock tower and sometimes, on clear days, he plays the bells. There is only one song he ever plays, and it is the only song that he knows. But he rings the bells, loud and clear, and the one and only song echoes over the ruins, through the forest, and barely, just barely, into the world beyond.
He came from nowhere, the boy-turned-man, who rings the bells on clear days. He flew in on silver wings, in silver fog, and no one saw him but the doves who lived in the clock tower, who live there still. Perhaps he lives off of pigeon's eggs. Nobody knows, really. Nobody talks to him. Nobody has ever talked to him, out of those few that have seen him. He fled from the few that tried. But perhaps he was only afraid, and not a hermit like they think he is, for if you get close enough to see him, (which is very hard, and not many people can), he looks downcast always, like a lonely man.
There are letters that they, those who pass by, have found in hollow trees and the dry places of the ruin. The writing is neat, round, childlike, but readable. The sentences are short and to the point.
Dear you, they say, If you met me, would you remember me? Because if you would not, then I would be glad to meet you. I am alone.
They vary from letter to letter in what words they use, the number of sentences, the greeting and occasionally the end. But they are never signed.
Nobody sees him leave these letters, but they all know it's him, those few who are so downcast to live in the ruins and find them. Nobody else is quite so alone.
The song he plays is an old one, one of those odd songs that everyone knows but no one can remember the words. Sometimes he makes up little variations, playing chords with the bells. Sometimes he gets so far into this experimentation that the song is hardly recognizable, but it is always the same song, the only song he knows. But the last bell—the bell that would be the very last note of the very last verse, the one that's supposed to echo out so the listeners can breath again—is cracked, right down the middle. The last note is never played.
“I refuse to believe it.” Her voice was only half firm, wavering slightly with emotion. “He's not dead. I've heard him, and I can still see him when I'm asleep. He's... stuck, I guess. In the earth's magnetic field.”
“Sam...” Gabe shook his head, putting the mop back in the closet. “I know you've never been wrong before. You were right about Dr. Sarin, and the Puppetmaster, and everything. And we all owe our lives to you. But still...” He trailed off. “His body was destroyed, Sam. There is literally nothing left.”
“So? He's still alive. I know he's alive. I...” She trailed off, sinking down against the locker and putting her arms on her knees. “I can't tell Timothy. It'd hurt him too much. But... I had to tell someone. Seth's alive. I don't understand it, but he is. Maybe I'm really crazy this time.”
“I doubt that.” Gabe said, leaning up against the lockers next to her. “I believe you. If you say he's alive, you've never been wrong.”
“Really?” She looked up at him, disbelieving.
“Yeah.” He pulled the box cap over his eyes. “Don't expect me to back you up on that, though. I'm crazy enough to believe you, but not that crazy.”
“Psh.” She turned away again, smiling faintly. “Didn't figure.”
Again, just some little things I've written recently. I really like them, but didn't really think they were enough to post on their own. Tell me what you think!
In the forest there is a ruin, and in the ruin there is a clock tower. And in the clock tower, there is a man, barely a man, more a boy who's rather surprised to find himself taller; but he lives in the clock tower and sometimes, on clear days, he plays the bells. There is only one song he ever plays, and it is the only song that he knows. But he rings the bells, loud and clear, and the one and only song echoes over the ruins, through the forest, and barely, just barely, into the world beyond.
He came from nowhere, the boy-turned-man, who rings the bells on clear days. He flew in on silver wings, in silver fog, and no one saw him but the doves who lived in the clock tower, who live there still. Perhaps he lives off of pigeon's eggs. Nobody knows, really. Nobody talks to him. Nobody has ever talked to him, out of those few that have seen him. He fled from the few that tried. But perhaps he was only afraid, and not a hermit like they think he is, for if you get close enough to see him, (which is very hard, and not many people can), he looks downcast always, like a lonely man.
There are letters that they, those who pass by, have found in hollow trees and the dry places of the ruin. The writing is neat, round, childlike, but readable. The sentences are short and to the point.
Dear you, they say, If you met me, would you remember me? Because if you would not, then I would be glad to meet you. I am alone.
They vary from letter to letter in what words they use, the number of sentences, the greeting and occasionally the end. But they are never signed.
Nobody sees him leave these letters, but they all know it's him, those few who are so downcast to live in the ruins and find them. Nobody else is quite so alone.
The song he plays is an old one, one of those odd songs that everyone knows but no one can remember the words. Sometimes he makes up little variations, playing chords with the bells. Sometimes he gets so far into this experimentation that the song is hardly recognizable, but it is always the same song, the only song he knows. But the last bell—the bell that would be the very last note of the very last verse, the one that's supposed to echo out so the listeners can breath again—is cracked, right down the middle. The last note is never played.
“I refuse to believe it.” Her voice was only half firm, wavering slightly with emotion. “He's not dead. I've heard him, and I can still see him when I'm asleep. He's... stuck, I guess. In the earth's magnetic field.”
“Sam...” Gabe shook his head, putting the mop back in the closet. “I know you've never been wrong before. You were right about Dr. Sarin, and the Puppetmaster, and everything. And we all owe our lives to you. But still...” He trailed off. “His body was destroyed, Sam. There is literally nothing left.”
“So? He's still alive. I know he's alive. I...” She trailed off, sinking down against the locker and putting her arms on her knees. “I can't tell Timothy. It'd hurt him too much. But... I had to tell someone. Seth's alive. I don't understand it, but he is. Maybe I'm really crazy this time.”
“I doubt that.” Gabe said, leaning up against the lockers next to her. “I believe you. If you say he's alive, you've never been wrong.”
“Really?” She looked up at him, disbelieving.
“Yeah.” He pulled the box cap over his eyes. “Don't expect me to back you up on that, though. I'm crazy enough to believe you, but not that crazy.”
“Psh.” She turned away again, smiling faintly. “Didn't figure.”
Again, just some little things I've written recently. I really like them, but didn't really think they were enough to post on their own. Tell me what you think!
Monday, February 15, 2010
It was raining
Raining. It was raining.
He hardly noticed anymore.
The battered leather overcoat had once been fairly waterproof, but age and use and use and use had reduced it to nothing, and water soaked through like sound. He plodded onwards, heading into nowhere, across the wastes. He moved not so much forwards as away.
Mud caked the old trousers, the broken boots, the blistered feet inside. The rivulets of water running down his face ran into his open mouth, and he thought without thinking that he should swallow, and save what little water he carried for later. He stumbled, catching himself half-inches above the ground. The world was mud, and what wasn't was pain, and what wasn't was water and tiredness mixed into more mud, just like the stuff on his trousers.
He didn't know where he was going. He'd never known, not since he set out. He knew precisely, though, where he'd been.
The smell of woodsmoke drifted through the rain, suffering a thousand battle wounds from the piercing drops, but still there. He almost, almost woke up from the trance of one-foot-forward at that, lifting his eyes from the broken, muddy ground to stare blankly at the forest around him, not sure what he intended to see. Nothing, nothing, ever nothing, and he looked back down.
His pack was heavy, slung over one shoulder. It didn't hold much; a little food, a little water, a lot of rain. Two books, soaked through and useless. A needle, black thread. Nothing.
He thought, his mind fighting against the stupor, that he could hear children laughing—somewhere, elsewhere, probably only in his memories. There was little enough laughter there, maybe it could use a little more.
He stumbled again, as his exhausted feet lagged behind where his mind said they should be, and fell this time. He pushed himself back up, wiping the mud from the scarlet mark on his face with a sleeve so dirty it hardly made a difference before he plodded onward, upwards, away.
Always away.
This isn't exactly finished, but I like this part. It's a lot shorter than most of my stuff, but hey.
He hardly noticed anymore.
The battered leather overcoat had once been fairly waterproof, but age and use and use and use had reduced it to nothing, and water soaked through like sound. He plodded onwards, heading into nowhere, across the wastes. He moved not so much forwards as away.
Mud caked the old trousers, the broken boots, the blistered feet inside. The rivulets of water running down his face ran into his open mouth, and he thought without thinking that he should swallow, and save what little water he carried for later. He stumbled, catching himself half-inches above the ground. The world was mud, and what wasn't was pain, and what wasn't was water and tiredness mixed into more mud, just like the stuff on his trousers.
He didn't know where he was going. He'd never known, not since he set out. He knew precisely, though, where he'd been.
The smell of woodsmoke drifted through the rain, suffering a thousand battle wounds from the piercing drops, but still there. He almost, almost woke up from the trance of one-foot-forward at that, lifting his eyes from the broken, muddy ground to stare blankly at the forest around him, not sure what he intended to see. Nothing, nothing, ever nothing, and he looked back down.
His pack was heavy, slung over one shoulder. It didn't hold much; a little food, a little water, a lot of rain. Two books, soaked through and useless. A needle, black thread. Nothing.
He thought, his mind fighting against the stupor, that he could hear children laughing—somewhere, elsewhere, probably only in his memories. There was little enough laughter there, maybe it could use a little more.
He stumbled again, as his exhausted feet lagged behind where his mind said they should be, and fell this time. He pushed himself back up, wiping the mud from the scarlet mark on his face with a sleeve so dirty it hardly made a difference before he plodded onward, upwards, away.
Always away.
This isn't exactly finished, but I like this part. It's a lot shorter than most of my stuff, but hey.
Sunday, February 14, 2010
Beautiful
“Karen?” His voice was unsure, for once, and she dropped lightly to the ground, listening to the distinctive sounds that her boots made on the pavement.
“I'm here.”
“Good.” He breathed out, relaxing his grip on the railing. “I was worried...”
“Why?” She didn't mean to sound as startled as she did. “Did something happen?”
“Oh, no. Just something I heard on the bugs.”
“What?” She put a hand to his shoulder. “Tell me.”
“Oh, one of the delve guessed you were a girl.”
“What?” She dropped her voice to a whisper. “What did he say—should I do something?”
“It wasn't serious—I think he was drunk, actually.” Jay almost laughed. “Nobody took him seriously.”
“Heh.” She relaxed. “So only drunk people and blind men can tell I'm a girl.”
“Oh, I'm sure I could tell anyway.” The smugness crept back into Jay's voice. “Even if I could see you.”
“You sure?” Karen shook her head slowly. “People have made the mistake before...”
“No, really?” He turned towards her. “They can't have really...”
“They have!” she insisted. She expected him to make some comment on that, but he was silent for a moment, seemingly lost in thought.
“...Karen.” He finally spoke. “What do you look like?”
“Why?” She shifted nervously.
“Just curious.” He shrugged, turning away again. “I just don't know, is all.”
“I...” She hesitated. “I have brown hair and hazel eyes.”
“And?”
“And... and I'm kinda pale and I'm shorter than you by about five inches and my dad says I'm too muscular for a girl.”
“And?”
“I don't know,” she turned away. “What do you want me to tell you?”
“I don't know.”
There was a moment of silence between them, as Karen stared out at the winter skyline, and Jay listened to the dull roar of the monorail tracing it's way through the city.
Jay worked up his courage at last. “Can... can I touch you?”
“...What?” She took a step back. “Why?”
“It's... it's the only way I can tell what you look like. Just your face. I'll be gentle.”
“...Alright.” She swallowed hard. He held out a hand to her, and she very slowly guided his hand up to her face, and let him go. She shut her eyes.
“You're shaking.” His voice held something different in it now. “I don't have to...”
“No. No, go ahead.” She spoke quickly, trying not to turn away.
His fingertips rested lightly on her cheek for what felt like forever before they finally started to move. He traced the line of her jaw with four fingers, leading down towards her mouth. He brushed it lightly with his thumb, and moved upwards, gently running his fingers across her skin. She barely noticed that she was clenching her fists so hard that her short nails bit into her skin. His fingertips glided along her forehead, pausing for a second at the base of her hair, then down again, following the curves of her eyebrows and onto her eyes.
“Why are you crying?” His fingers stopped.
“I'm...” She started to deny it, but the crack in her voice defied her. “I didn't want you to...”
“I didn't have to, you could have said...” He sounded genuinely concerned. “I'm sorry.”
“I didn't want you to know...” She tried to keep from sobbing. “I didn't want you to know how ugly I am.”
There was a silence that felt like it lasted for forever, with his fingertips still resting on her face. Then Jay pulled away, for only half a second.
And then he embraced her.
She almost tried to struggle, but he didn't let her, strong arms holding her still against him. “Don't say that,” he whispered. “Don't.”
“But..”
“You're beautiful, Karen. Who told you...”
“I'm not—I'm really..”
“Don't say that.” He cut her off again, pulling her closer. “You're beautiful,” he breathed into her ear. “I checked.”
Normally, I wouldn't post stuff this sappy on my blog, but hey, it's valentines day. Enjoy, and let me know what you think!
“I'm here.”
“Good.” He breathed out, relaxing his grip on the railing. “I was worried...”
“Why?” She didn't mean to sound as startled as she did. “Did something happen?”
“Oh, no. Just something I heard on the bugs.”
“What?” She put a hand to his shoulder. “Tell me.”
“Oh, one of the delve guessed you were a girl.”
“What?” She dropped her voice to a whisper. “What did he say—should I do something?”
“It wasn't serious—I think he was drunk, actually.” Jay almost laughed. “Nobody took him seriously.”
“Heh.” She relaxed. “So only drunk people and blind men can tell I'm a girl.”
“Oh, I'm sure I could tell anyway.” The smugness crept back into Jay's voice. “Even if I could see you.”
“You sure?” Karen shook her head slowly. “People have made the mistake before...”
“No, really?” He turned towards her. “They can't have really...”
“They have!” she insisted. She expected him to make some comment on that, but he was silent for a moment, seemingly lost in thought.
“...Karen.” He finally spoke. “What do you look like?”
“Why?” She shifted nervously.
“Just curious.” He shrugged, turning away again. “I just don't know, is all.”
“I...” She hesitated. “I have brown hair and hazel eyes.”
“And?”
“And... and I'm kinda pale and I'm shorter than you by about five inches and my dad says I'm too muscular for a girl.”
“And?”
“I don't know,” she turned away. “What do you want me to tell you?”
“I don't know.”
There was a moment of silence between them, as Karen stared out at the winter skyline, and Jay listened to the dull roar of the monorail tracing it's way through the city.
Jay worked up his courage at last. “Can... can I touch you?”
“...What?” She took a step back. “Why?”
“It's... it's the only way I can tell what you look like. Just your face. I'll be gentle.”
“...Alright.” She swallowed hard. He held out a hand to her, and she very slowly guided his hand up to her face, and let him go. She shut her eyes.
“You're shaking.” His voice held something different in it now. “I don't have to...”
“No. No, go ahead.” She spoke quickly, trying not to turn away.
His fingertips rested lightly on her cheek for what felt like forever before they finally started to move. He traced the line of her jaw with four fingers, leading down towards her mouth. He brushed it lightly with his thumb, and moved upwards, gently running his fingers across her skin. She barely noticed that she was clenching her fists so hard that her short nails bit into her skin. His fingertips glided along her forehead, pausing for a second at the base of her hair, then down again, following the curves of her eyebrows and onto her eyes.
“Why are you crying?” His fingers stopped.
“I'm...” She started to deny it, but the crack in her voice defied her. “I didn't want you to...”
“I didn't have to, you could have said...” He sounded genuinely concerned. “I'm sorry.”
“I didn't want you to know...” She tried to keep from sobbing. “I didn't want you to know how ugly I am.”
There was a silence that felt like it lasted for forever, with his fingertips still resting on her face. Then Jay pulled away, for only half a second.
And then he embraced her.
She almost tried to struggle, but he didn't let her, strong arms holding her still against him. “Don't say that,” he whispered. “Don't.”
“But..”
“You're beautiful, Karen. Who told you...”
“I'm not—I'm really..”
“Don't say that.” He cut her off again, pulling her closer. “You're beautiful,” he breathed into her ear. “I checked.”
Normally, I wouldn't post stuff this sappy on my blog, but hey, it's valentines day. Enjoy, and let me know what you think!
Labels:
Jay,
Karen,
random snippets,
romance,
The Phantom Club
Monday, February 08, 2010
The Shattered Mirror
The old door didn't so much creak open as it banged, and Alice practically lunged inside with the heavy box of decorations. She dropped the box with a relieved sigh. The thick dust that covered everything poofed out in all directions as the cardboard met the wooden planks of the attic, catching the golden light that filtered through the dirty windows. Alice shoved the box up against the wall with her foot, and stood, surveying the scene for a moment.
Janice hadn't been kidding when she'd said they didn't come up here much. The dust now swirling around the air clung to everything, and abandoned spiderwebs glittered in every corner. The ceiling sloped inwards, peaking above the door, with three great beams that corresponded to the big pillars in the library below. A series of boxes much like the one she'd just dragged up the long staircase lined the walls, some with an old copy of a ruined book gracing the top of the pile, and others with less natural adornments, like old tinsel, or buckets. The warm yellow light of the summer afternoon suffused the room, and for a moment, she felt a strange nostalgia, like she was hiding in grandma's attic until far after she should have gone home.
That feeling snapped abruptly as her eyes rested on the floor at the center of the room.
There was a mirror. At least, there had been a mirror—what remained was a mess of fragments, scattered across the floor almost up to the door where she stood. The remains of the frame were missing. But the oddest thing was the total lack of dust on the mirror—even the floor it sat on was coated, but the mirror itself was completely clean. No footprints led up to it, or away from it.
Alice, quite suddenly, had to get back downstairs right this second.
She turned, but the door had closed behind her. She grabbed the handle, trying to open it until she remembered Janice's warning about the sticky lock. She bit her lip, trying to fight down the panic as she twisted the doorknob this way and that to no avail. She was stuck.
“What, leaving so soon?” A voice she knew from bad memories echoed out from behind her. “Alice, I thought we were better friends than that.”
She swallowed hard. “You... are not real.”
“Am I?” She refused to turn around and see him standing there, rising from the mirror like she would rise from a pool of water. “Then why, my dear Alice, are you so afraid of me?”
“You're a bad memory. A figment of my imagination. I'm not crazy anymore, darnit, and I know that you are not real!”
“Of course you're not crazy, Alice. You were never crazy.” His voice was smug, smooth, intoxicating, the perfect gentleman that he wasn't, he wasn't, she knew he wasn't. “But do you really have to take it out on me? I'm hurt.”
“You're a fictional character. I thought you up when I read Alice in Wonderland when I was seven. You don't exist. I know that.”
He laughed, like bells. “Alice, you know I was there before that.”
“So I was crazy before that. I'm not crazy now. Go away.” She clamped her eyes shut, keeping her hand on the doorknob as an anchor to reality. “You're not real.”
“Alice...” His voice was pleading in a way that already had what he wanted, the way he always had. She could feel him stepping across the fragments of the mirror, flickering in and out of reality as he touched them. “What happened? It used to be so easy for you to believe in me—all you needed was a book. Just that, one book, one afternoon—and you knew I was there.”
“I was crazy.” The words came in a half-sob. “Go away. Wherever you've been for fifteen years.”
“I never went away, Alice. You stopped believing, but I never went away. The others did, but you know...”
“Go away!” she shouted, finally whirling to face him. “I'm not crazy, I refuse to be crazy! I'm imagining you because of the mirror and the stress and I must be panicking, that's it, I'm panicking because the door won't open and oh no don't come any closer...”
“Shush.” He put a hand over her mouth, balancing precariously on a shard of mirror. “Now, Alice, dear, won't you calm down? This does neither of us any good.”
He was different than she'd remembered him. The parts were all there—the long curly hair barely held back in a ponytail, the well tailored suit jacket, the ridiculous top hat and white porcelain teacup in one well-manicured hand. But he was different—his eyes were darker, though still half hidden in shadow; his hair was brown now, instead of white, rich and dark like coffee or dark, expensive chocolate, shining like silk as it curled around his half-smiling face. The hat was even more ridiculous, if that was even possible—it had gained bits and pieces of belts and metal and a clock, stitched in to the grey fabric with black as night thread. The coat was a different cut, with flaired sleeves and a tie wrapped around one arm. And the ace of spades winked at her, tucked into his hat band, just as it had been when she had last seen him fifteen years ago.
He removed his hand from her mouth as her breathing returned to normal. “There, that's better.”
“You've changed,” she said breathlessly, trying very hard not to believe her eyes.
“You've changed, and so I have too.” He smiled a little at that, ducking his eyes beneath the dark brim of the top hat. “I am whatever you need me to be.”
“Gone?” She quipped, trying to regain her courage.
“Hah, no, not today.” His smile was a little more forced. “You can see me now. That's a start.”
“I'd rather not, thank you.”
“I'm just going to pretend you didn't say that.” He took a step back onto a different shard of mirror, moving like a dancer. “And enjoy my brief time with you. This, after all, is a rare opportunity.”
“If you so much as touch me...”
“You know me better than that,” he admonished gently. She hated to admit that she did. “We could have tea, Alice, what would you say to that? Just how we used to.” He gestured with the teacup.
“Not happening.” She swallowed. “I'm supposed to be working. As soon as Janice notices I'm not back, she'll come upstairs, and find that the lock stuck. And then she'll let me out, and I'll be fine, because there's no mirrors down there, so you can't follow me.”
“A shame.” He sighed. “My one lucky chance, and it has to be ruined completely by your lovely friend downstairs. Perhaps my friend the cat could distract her for a while.”
“Cat wasn't real either, don't you try to trick me like that.”
“I assure you, Alice, Cat is just as real as I am.” He turned, moving back towards her across the shattered glass. “Would you like to...”
“No. You're not real, he's not real, and you stay away from me!” She flattened herself against the door again as he stepped closer. He sighed again.
“You wound me, Alice, you really do. When have I ever hurt you?”
“Let's see, how about when you made me crazy.” She meant for that to sound exactly as bitter as it did, aiming the words like bullets.
“You were never crazy,” he replied placidly.
“Don't you go trying to trick me like that, I was crazy. I know I was crazy. I have to watch out or I'll go crazy again, and so help me if you take one step closer I will go straight back to that psychiatrist and have you medicated out of existence for good!”
“Rather drastic, don't you think?” He stood a few feet away, seemingly lost in thought. “But you would never do that, Alice. You wouldn't give up your imagination for the world.”
“Try me.”
“I'd rather not.” He spun on one foot, pacing back across the mirror shards. “So you won't have tea, and you won't be civil, and you won't let me bring the cat to see you even. What a disappointingly boring adult you've grown up to be.”
“I'm sane. That's what counts.”
“Oh, Alice, I would so disagree.” He stopped again, then motioned to her with the teacup. “Well, if I can't come to you, why don't you come to me? If you are so sure that I am not real, then show me you have nothing to fear. Three steps.”
“This is a trick.”
“What would I gain by tricking you?” he asked patiently, hands outstretched pleadingly. “Three steps. That's it”
“You're going to pull me through the mirror or... or something, I don't know. No.” She shook her head violently. “I'm not coming over there.”
“Both you and I know that's not possible. If I'm not real, and you're not crazy, then show me that you are not so afraid of a broken mirror. Three steps, Alice. It's not too far.”
“No!” She finally broke down, sobbing. “No, no, no! I don't want to have to do this! It's my first day, and I don't know anyone, and I just moved in and I have no friends and now You, of all people have to show up and I...”
“Shh, shh, I'm sorry.” He moved quickly over to her again, wiping her tears with his purple handkerchief. “Don't cry. I just wanted to talk, is all.”
“Why are you doing this...” she whispered, her words half broken by the intermittent sobs.
“I'm not going to answer that until you can stop crying. Chin up, Alice.”
“Why are you doing this?” She choked back the tears, trying to look him in the eye. “Why trap me here, with the sticky lock and the broken mirror, and on my first day? Why are you even here; I mean, don't you have someone else to drive insane?” Her voice cracked again, and he smiled weakly.
“Come now, come now. Every hatter must have his madness.” He put a hand to the doorknob, leaning in close to her as he balanced on the last shard of the mirror. “It's just that you, dear Alice, are mine.” With that, the door clicked open, she stumbled backwards into the stairwell, and the hatter-the Mad Hatter, her hatter, the one she'd created and played with and loved and gone insane for-vanished into thin air.
It's not Alice in Wonderland fanfiction, I swear. It very heavily references that book, but it's not--the book is a book in this story just as much as it is in real life. Which also implies that this Hatter is not that hatter. He's a little bit... different.
Janice hadn't been kidding when she'd said they didn't come up here much. The dust now swirling around the air clung to everything, and abandoned spiderwebs glittered in every corner. The ceiling sloped inwards, peaking above the door, with three great beams that corresponded to the big pillars in the library below. A series of boxes much like the one she'd just dragged up the long staircase lined the walls, some with an old copy of a ruined book gracing the top of the pile, and others with less natural adornments, like old tinsel, or buckets. The warm yellow light of the summer afternoon suffused the room, and for a moment, she felt a strange nostalgia, like she was hiding in grandma's attic until far after she should have gone home.
That feeling snapped abruptly as her eyes rested on the floor at the center of the room.
There was a mirror. At least, there had been a mirror—what remained was a mess of fragments, scattered across the floor almost up to the door where she stood. The remains of the frame were missing. But the oddest thing was the total lack of dust on the mirror—even the floor it sat on was coated, but the mirror itself was completely clean. No footprints led up to it, or away from it.
Alice, quite suddenly, had to get back downstairs right this second.
She turned, but the door had closed behind her. She grabbed the handle, trying to open it until she remembered Janice's warning about the sticky lock. She bit her lip, trying to fight down the panic as she twisted the doorknob this way and that to no avail. She was stuck.
“What, leaving so soon?” A voice she knew from bad memories echoed out from behind her. “Alice, I thought we were better friends than that.”
She swallowed hard. “You... are not real.”
“Am I?” She refused to turn around and see him standing there, rising from the mirror like she would rise from a pool of water. “Then why, my dear Alice, are you so afraid of me?”
“You're a bad memory. A figment of my imagination. I'm not crazy anymore, darnit, and I know that you are not real!”
“Of course you're not crazy, Alice. You were never crazy.” His voice was smug, smooth, intoxicating, the perfect gentleman that he wasn't, he wasn't, she knew he wasn't. “But do you really have to take it out on me? I'm hurt.”
“You're a fictional character. I thought you up when I read Alice in Wonderland when I was seven. You don't exist. I know that.”
He laughed, like bells. “Alice, you know I was there before that.”
“So I was crazy before that. I'm not crazy now. Go away.” She clamped her eyes shut, keeping her hand on the doorknob as an anchor to reality. “You're not real.”
“Alice...” His voice was pleading in a way that already had what he wanted, the way he always had. She could feel him stepping across the fragments of the mirror, flickering in and out of reality as he touched them. “What happened? It used to be so easy for you to believe in me—all you needed was a book. Just that, one book, one afternoon—and you knew I was there.”
“I was crazy.” The words came in a half-sob. “Go away. Wherever you've been for fifteen years.”
“I never went away, Alice. You stopped believing, but I never went away. The others did, but you know...”
“Go away!” she shouted, finally whirling to face him. “I'm not crazy, I refuse to be crazy! I'm imagining you because of the mirror and the stress and I must be panicking, that's it, I'm panicking because the door won't open and oh no don't come any closer...”
“Shush.” He put a hand over her mouth, balancing precariously on a shard of mirror. “Now, Alice, dear, won't you calm down? This does neither of us any good.”
He was different than she'd remembered him. The parts were all there—the long curly hair barely held back in a ponytail, the well tailored suit jacket, the ridiculous top hat and white porcelain teacup in one well-manicured hand. But he was different—his eyes were darker, though still half hidden in shadow; his hair was brown now, instead of white, rich and dark like coffee or dark, expensive chocolate, shining like silk as it curled around his half-smiling face. The hat was even more ridiculous, if that was even possible—it had gained bits and pieces of belts and metal and a clock, stitched in to the grey fabric with black as night thread. The coat was a different cut, with flaired sleeves and a tie wrapped around one arm. And the ace of spades winked at her, tucked into his hat band, just as it had been when she had last seen him fifteen years ago.
He removed his hand from her mouth as her breathing returned to normal. “There, that's better.”
“You've changed,” she said breathlessly, trying very hard not to believe her eyes.
“You've changed, and so I have too.” He smiled a little at that, ducking his eyes beneath the dark brim of the top hat. “I am whatever you need me to be.”
“Gone?” She quipped, trying to regain her courage.
“Hah, no, not today.” His smile was a little more forced. “You can see me now. That's a start.”
“I'd rather not, thank you.”
“I'm just going to pretend you didn't say that.” He took a step back onto a different shard of mirror, moving like a dancer. “And enjoy my brief time with you. This, after all, is a rare opportunity.”
“If you so much as touch me...”
“You know me better than that,” he admonished gently. She hated to admit that she did. “We could have tea, Alice, what would you say to that? Just how we used to.” He gestured with the teacup.
“Not happening.” She swallowed. “I'm supposed to be working. As soon as Janice notices I'm not back, she'll come upstairs, and find that the lock stuck. And then she'll let me out, and I'll be fine, because there's no mirrors down there, so you can't follow me.”
“A shame.” He sighed. “My one lucky chance, and it has to be ruined completely by your lovely friend downstairs. Perhaps my friend the cat could distract her for a while.”
“Cat wasn't real either, don't you try to trick me like that.”
“I assure you, Alice, Cat is just as real as I am.” He turned, moving back towards her across the shattered glass. “Would you like to...”
“No. You're not real, he's not real, and you stay away from me!” She flattened herself against the door again as he stepped closer. He sighed again.
“You wound me, Alice, you really do. When have I ever hurt you?”
“Let's see, how about when you made me crazy.” She meant for that to sound exactly as bitter as it did, aiming the words like bullets.
“You were never crazy,” he replied placidly.
“Don't you go trying to trick me like that, I was crazy. I know I was crazy. I have to watch out or I'll go crazy again, and so help me if you take one step closer I will go straight back to that psychiatrist and have you medicated out of existence for good!”
“Rather drastic, don't you think?” He stood a few feet away, seemingly lost in thought. “But you would never do that, Alice. You wouldn't give up your imagination for the world.”
“Try me.”
“I'd rather not.” He spun on one foot, pacing back across the mirror shards. “So you won't have tea, and you won't be civil, and you won't let me bring the cat to see you even. What a disappointingly boring adult you've grown up to be.”
“I'm sane. That's what counts.”
“Oh, Alice, I would so disagree.” He stopped again, then motioned to her with the teacup. “Well, if I can't come to you, why don't you come to me? If you are so sure that I am not real, then show me you have nothing to fear. Three steps.”
“This is a trick.”
“What would I gain by tricking you?” he asked patiently, hands outstretched pleadingly. “Three steps. That's it”
“You're going to pull me through the mirror or... or something, I don't know. No.” She shook her head violently. “I'm not coming over there.”
“Both you and I know that's not possible. If I'm not real, and you're not crazy, then show me that you are not so afraid of a broken mirror. Three steps, Alice. It's not too far.”
“No!” She finally broke down, sobbing. “No, no, no! I don't want to have to do this! It's my first day, and I don't know anyone, and I just moved in and I have no friends and now You, of all people have to show up and I...”
“Shh, shh, I'm sorry.” He moved quickly over to her again, wiping her tears with his purple handkerchief. “Don't cry. I just wanted to talk, is all.”
“Why are you doing this...” she whispered, her words half broken by the intermittent sobs.
“I'm not going to answer that until you can stop crying. Chin up, Alice.”
“Why are you doing this?” She choked back the tears, trying to look him in the eye. “Why trap me here, with the sticky lock and the broken mirror, and on my first day? Why are you even here; I mean, don't you have someone else to drive insane?” Her voice cracked again, and he smiled weakly.
“Come now, come now. Every hatter must have his madness.” He put a hand to the doorknob, leaning in close to her as he balanced on the last shard of the mirror. “It's just that you, dear Alice, are mine.” With that, the door clicked open, she stumbled backwards into the stairwell, and the hatter-the Mad Hatter, her hatter, the one she'd created and played with and loved and gone insane for-vanished into thin air.
It's not Alice in Wonderland fanfiction, I swear. It very heavily references that book, but it's not--the book is a book in this story just as much as it is in real life. Which also implies that this Hatter is not that hatter. He's a little bit... different.
Sunday, February 07, 2010
Power in a name
“...That's your name, isn't it.” He cradled the small body in his arms as he made his way across the rocky field. “Your name is Christofori.” The boy started glowing again, and cringed in pain. “I didn't mean anything, don't try!” he said quickly. The glow faded as quickly as it came. “And that's why you did... all that, because you have to grant a wish when someone says your name. You don't have a choice, do you?”
The boy shook his head, the movement barely visible in his exhaustion. Marcus bit his lip, then stumbled, barely catching himself in time to avoid dropping his young friend.
“I'm sorry.” He made his way carefully down the rocky slope. “I... I'm so sorry.”
Christofori didn't respond, shivering in his arms.
“I shouldn't have... I shouldn't have come here. My research—I'm so sorry.” Marcus fought against his own exhaustion as he struggled to get them both back to the cabin. “I didn't realize it would...” He fell silent, contemplating the full meaning of what he'd learned, as he trudged over the barren landscape.
Chris began coughing, prompting Marcus to speed up. A few of the little glowing stars shot up the slope to meet them, circling around Christofori in a panic. Marcus didn't say anything, just kept moving. Not much further to go.
The cabin finally came into sight, and Marcus almost smiled. “Hang on, Chris, we're almost there.” The stars shot to the door, whirling around the knob as they waited for him to arrive and let them in. He very slowly put Christofori down on a patch of clear ground by the cabin wall. The freezing metal of the doorknob stung his hands, and he bit his lip again as he fiddled with the key. The door finally swung open, and he picked the boy up again and brought him inside.
The cabin was warm, luckily. Close to thirty Wishes rushed around him as he carried Chris across to the small bed and wrapped the boy in the thick blankets. Some of them circled around his hands, unsure, and he spoke very quietly, trying not to disturb his young patient.
“He granted too many wishes.” Half true. For all he knew, the Wishes knew the entire story already. “He is exhausted, but I think he will be fine.”
This seemed to comfort the little stars, and they flew back up to near the cabin roof, watching from the ceiling beams as Marcus cared for their young prince. The boy's heartbeat was still strong, and his breathing was fine, though he wasn't responding. Marcus smiled, halfway. At least the kid was finally getting some sleep.
He moved off, leaving the boy exhausted in the too-big bed. Marcus shifted through the cabinets as quietly as he could, looking for something to eat. A can of soup came to hand, and he examined it, checking the expiration date. Close enough. He grabbed the can opener out of the drawer, and as he prepared the soup he watched the little stars circling the boy, unafraid to get too close now that Marcus was out of the way. They darted quickly through his hair, across every inch of exposed skin, trying to see if he was alright. Marcus would have smiled at their concern had it been unwarranted.
After about an hour, the soup was finally ready. He poured a bowl for himself, and one for Chris. What remained he poured into a wider bowl that he set on the small wooden table, waving some of the wishes over with a small motion. Only a few came, as the rest remained around the white-haired boy.
They cleared out quickly enough as he approached, and he shook the boy's shoulder gently. “Wake up, Chris. You need to eat something.”
The boy made a soft, protesting noise, but obeyed, sitting up in the cocoon of blankets. He looked up at Marcus with tired eyes,
“Here.” He handed Chris the soup, along with a spoon. “Eat that.”
Chris obeyed, though Marcus saw a tired tremor in his hands as he held the spoon. “You can go back to sleep once you're done.”
The boy nodded, and continued eating. Marcus looked up to the wishes that resided once more in the rafters. “There's some for you lot on the table.”
The little swarm descended on the bowl, trying the salty broth experimentally. They seemed to like it, and within a few moments the bowl was empty. A few began circling around what remained of his bowl, and with a sigh he surrendered it, watching the tiny stars as they ate.
Chris ate maybe half his bowl before he was too tired to hold the spoon anymore. Marcus took the bowl, rubbing an affectionate hand through the boy's hair. “Go back to sleep. You had a long day, you know.”
Chris nodded wearily, then collapsed again on the bed. The wishes once again conducted their examination of his hair and skin, then, satisfied, they attacked the remains of his food.
“Heh.” Marcus watched them tiredly. “Have to make another pot...” He trailed off, nodding off to sleep in the chair by the little heater. A few of the wishes examined him, though not with the same intimate care that they had their prince, then shot back up to the rafters.
Wrote this in December, and just now got around to posting it. I don't know if I've posted much of this story before, but it's been around for a while. It's not the sort of thing I normally post, mainly because it doesn't have the same sort of emotional power as most of my stuff. Also, the title is lame, I know. Anyway, let me know what you think!
The boy shook his head, the movement barely visible in his exhaustion. Marcus bit his lip, then stumbled, barely catching himself in time to avoid dropping his young friend.
“I'm sorry.” He made his way carefully down the rocky slope. “I... I'm so sorry.”
Christofori didn't respond, shivering in his arms.
“I shouldn't have... I shouldn't have come here. My research—I'm so sorry.” Marcus fought against his own exhaustion as he struggled to get them both back to the cabin. “I didn't realize it would...” He fell silent, contemplating the full meaning of what he'd learned, as he trudged over the barren landscape.
Chris began coughing, prompting Marcus to speed up. A few of the little glowing stars shot up the slope to meet them, circling around Christofori in a panic. Marcus didn't say anything, just kept moving. Not much further to go.
The cabin finally came into sight, and Marcus almost smiled. “Hang on, Chris, we're almost there.” The stars shot to the door, whirling around the knob as they waited for him to arrive and let them in. He very slowly put Christofori down on a patch of clear ground by the cabin wall. The freezing metal of the doorknob stung his hands, and he bit his lip again as he fiddled with the key. The door finally swung open, and he picked the boy up again and brought him inside.
The cabin was warm, luckily. Close to thirty Wishes rushed around him as he carried Chris across to the small bed and wrapped the boy in the thick blankets. Some of them circled around his hands, unsure, and he spoke very quietly, trying not to disturb his young patient.
“He granted too many wishes.” Half true. For all he knew, the Wishes knew the entire story already. “He is exhausted, but I think he will be fine.”
This seemed to comfort the little stars, and they flew back up to near the cabin roof, watching from the ceiling beams as Marcus cared for their young prince. The boy's heartbeat was still strong, and his breathing was fine, though he wasn't responding. Marcus smiled, halfway. At least the kid was finally getting some sleep.
He moved off, leaving the boy exhausted in the too-big bed. Marcus shifted through the cabinets as quietly as he could, looking for something to eat. A can of soup came to hand, and he examined it, checking the expiration date. Close enough. He grabbed the can opener out of the drawer, and as he prepared the soup he watched the little stars circling the boy, unafraid to get too close now that Marcus was out of the way. They darted quickly through his hair, across every inch of exposed skin, trying to see if he was alright. Marcus would have smiled at their concern had it been unwarranted.
After about an hour, the soup was finally ready. He poured a bowl for himself, and one for Chris. What remained he poured into a wider bowl that he set on the small wooden table, waving some of the wishes over with a small motion. Only a few came, as the rest remained around the white-haired boy.
They cleared out quickly enough as he approached, and he shook the boy's shoulder gently. “Wake up, Chris. You need to eat something.”
The boy made a soft, protesting noise, but obeyed, sitting up in the cocoon of blankets. He looked up at Marcus with tired eyes,
“Here.” He handed Chris the soup, along with a spoon. “Eat that.”
Chris obeyed, though Marcus saw a tired tremor in his hands as he held the spoon. “You can go back to sleep once you're done.”
The boy nodded, and continued eating. Marcus looked up to the wishes that resided once more in the rafters. “There's some for you lot on the table.”
The little swarm descended on the bowl, trying the salty broth experimentally. They seemed to like it, and within a few moments the bowl was empty. A few began circling around what remained of his bowl, and with a sigh he surrendered it, watching the tiny stars as they ate.
Chris ate maybe half his bowl before he was too tired to hold the spoon anymore. Marcus took the bowl, rubbing an affectionate hand through the boy's hair. “Go back to sleep. You had a long day, you know.”
Chris nodded wearily, then collapsed again on the bed. The wishes once again conducted their examination of his hair and skin, then, satisfied, they attacked the remains of his food.
“Heh.” Marcus watched them tiredly. “Have to make another pot...” He trailed off, nodding off to sleep in the chair by the little heater. A few of the wishes examined him, though not with the same intimate care that they had their prince, then shot back up to the rafters.
Wrote this in December, and just now got around to posting it. I don't know if I've posted much of this story before, but it's been around for a while. It's not the sort of thing I normally post, mainly because it doesn't have the same sort of emotional power as most of my stuff. Also, the title is lame, I know. Anyway, let me know what you think!
Sunday, January 31, 2010
Jack's Secret Studio
“Jack?” Amy called, poking her head into one of the multitude of small, messy rooms the lab boasted. “I need you to sign something! Jack!”
There was no reply, and similarly no sign of her employer. She sighed. Typical him, to spend the whole day in one place exactly until she needed him. She straightened a pile of papers on one of the old file cabinets out of habit, not even glancing at what they said, then picked up her clipboard again and resumed her search.
“Jack?” She called again. “Security system says you're in the building somewhere!”
“Toasterhead is missing again?” Crash leaned against one of the doorways, watching her from behind. “Surprise surprise.”
“He's gotta be around somewhere. He never leaves unless he need supplies, and last I checked we...”
“Maybe something happened.” The hired hand peeled himself off the doorway, following her down the hall. “Some kind of teleporter incident or something. What's that?” He gestured to the clipboard in her hand. “Important?”
“Just an order contract. I've reviewed it, but it needs his signature before I can fax it.”
“Sheesh.” Crash ran a hand through his spiked hair. “He goes missing at the worst times.”
“No kidding,” she agreed. “Well, tell me if you see him.”
“Will do.” Crash glanced down another hallway. “Here, I'll check that way. I'll call you if I find him.”
“Would you do that?” She smiled. “Thank you, Crash.”
“No trouble.” He grinned. “Catch you in a bit, then!” With that, he broke off, headed down the other hallway. She watched him go for a few seconds before turning her attention back to the task at hand.
After ten more empty rooms, though, she was about ready to give up. “Jack, if you want a new order of sheet aluminum, you need to sign this!” she called, exasperated. “I've already read it and cleared it with accounting, you just have to sign!”
Still no response. She sighed, putting her free hand up against the wall. He wasn't anywhere, as far as she could tell. It was entirely possible that the security system was wrong...
And quite suddenly, the wall she was leaning on opened.
She nearly fell, catching herself only just in time. Amy stared into the little room, which was much darker than the rest, trying to make out whatever was inside. Several thick stack of something like light wood lined the walls. It took her a moment to realize that they were stretched canvasses. Some of them even had been painted—and whoever had done it was quite good. She moved closer, curious.
A canvas on the top of the other stacks caught her eye. It was a smaller painting, almost the size of her clipboard, but very beautifully done. The scene portrayed a little blue house, very simple in it's design, caught in the light of a late fall afternoon. She examined it for a moment longer. No signature. Maybe it wasn't finished.
She set it down and moved on. Three or four easels stood around the room, in varying states of dilapidation. Amy ran her fingertips along the side of one, frowning at the dust that had accumulated. She needed to clean in here.
Only one of the easels seemed to have been used recently. Unsurprisingly, it was the one that rested by the room's sole window. There was a canvas sitting on it, and she could smell the fresh oil paint on it. She took a few steps towards it, but halted at the sudden feeling of a hand on her shoulder.
“You're not supposed to be in here, you know.” Crash's voice was low. “He doesn't like people to know... this.”
“Jack painted these?” She glanced back at the canvasses stacked against the walls. “He's really good!”
“He'll never admit it.” Crash whispered. “He's good, I'll grant you that, but he's still Jack. He doesn't want anyone to know.”
“But they're beautiful—he should really...”
“Amy,” Crash cut her off. “Listen to me. You can't tell him you've been in here. Don't mention secret rooms, paintings—anything. You know him, he's paranoid. If he finds out you know... if he even thinks you might possibly ever even suspect, he will freak out. Trust me on that one.”
She bit her lip and nodded. “Right.”
“Good.” Crash looked relieved. “Come on, let's get out of here before he shows up.”
There was no reply, and similarly no sign of her employer. She sighed. Typical him, to spend the whole day in one place exactly until she needed him. She straightened a pile of papers on one of the old file cabinets out of habit, not even glancing at what they said, then picked up her clipboard again and resumed her search.
“Jack?” She called again. “Security system says you're in the building somewhere!”
“Toasterhead is missing again?” Crash leaned against one of the doorways, watching her from behind. “Surprise surprise.”
“He's gotta be around somewhere. He never leaves unless he need supplies, and last I checked we...”
“Maybe something happened.” The hired hand peeled himself off the doorway, following her down the hall. “Some kind of teleporter incident or something. What's that?” He gestured to the clipboard in her hand. “Important?”
“Just an order contract. I've reviewed it, but it needs his signature before I can fax it.”
“Sheesh.” Crash ran a hand through his spiked hair. “He goes missing at the worst times.”
“No kidding,” she agreed. “Well, tell me if you see him.”
“Will do.” Crash glanced down another hallway. “Here, I'll check that way. I'll call you if I find him.”
“Would you do that?” She smiled. “Thank you, Crash.”
“No trouble.” He grinned. “Catch you in a bit, then!” With that, he broke off, headed down the other hallway. She watched him go for a few seconds before turning her attention back to the task at hand.
After ten more empty rooms, though, she was about ready to give up. “Jack, if you want a new order of sheet aluminum, you need to sign this!” she called, exasperated. “I've already read it and cleared it with accounting, you just have to sign!”
Still no response. She sighed, putting her free hand up against the wall. He wasn't anywhere, as far as she could tell. It was entirely possible that the security system was wrong...
And quite suddenly, the wall she was leaning on opened.
She nearly fell, catching herself only just in time. Amy stared into the little room, which was much darker than the rest, trying to make out whatever was inside. Several thick stack of something like light wood lined the walls. It took her a moment to realize that they were stretched canvasses. Some of them even had been painted—and whoever had done it was quite good. She moved closer, curious.
A canvas on the top of the other stacks caught her eye. It was a smaller painting, almost the size of her clipboard, but very beautifully done. The scene portrayed a little blue house, very simple in it's design, caught in the light of a late fall afternoon. She examined it for a moment longer. No signature. Maybe it wasn't finished.
She set it down and moved on. Three or four easels stood around the room, in varying states of dilapidation. Amy ran her fingertips along the side of one, frowning at the dust that had accumulated. She needed to clean in here.
Only one of the easels seemed to have been used recently. Unsurprisingly, it was the one that rested by the room's sole window. There was a canvas sitting on it, and she could smell the fresh oil paint on it. She took a few steps towards it, but halted at the sudden feeling of a hand on her shoulder.
“You're not supposed to be in here, you know.” Crash's voice was low. “He doesn't like people to know... this.”
“Jack painted these?” She glanced back at the canvasses stacked against the walls. “He's really good!”
“He'll never admit it.” Crash whispered. “He's good, I'll grant you that, but he's still Jack. He doesn't want anyone to know.”
“But they're beautiful—he should really...”
“Amy,” Crash cut her off. “Listen to me. You can't tell him you've been in here. Don't mention secret rooms, paintings—anything. You know him, he's paranoid. If he finds out you know... if he even thinks you might possibly ever even suspect, he will freak out. Trust me on that one.”
She bit her lip and nodded. “Right.”
“Good.” Crash looked relieved. “Come on, let's get out of here before he shows up.”
Saturday, January 30, 2010
The Everyone Star
New story, again. This one is about crazy people, namely, Frankie, an insane genius who's spent his whole life in an asylum, and Molly, a girl who was sent to the asylum for attacking people who said her imaginary friends weren't real. For some reason, they are friends. Enjoy!
Molly found him nearly an hour later, sitting in the patch of tall grass that the lawnmower always missed next to the gray stone wall of the asylum. He'd gotten his arms free again, and he wrapped them around his knees as he stared up at the sky. He looked sad, almost, but smiled as she approached.
“Hello!” He said brightly, sitting up and dropping his knees into a cross-legged position. “Did you find the unicorn?”
“No, but I found you!”
“I'm a unicorn?” Frankie looked confused. “I thought I was a wombat.”
“No, you're Frankie, silly.” She giggled
“Oh!” he looked relieved. “That's what I normally am.”
“Yep.” She sat down next to him. “What'cha lookin' at?”
“Oh, the uplights. Things. The little bright things, what with the twinkling and what?” He struggled for the word, gesturing upward. “Those.”
“Stars?”
“Yeah!” He nodded vigorously. “Stars, yep!”
“Oh, ok.” She stared at the sky for a moment, letting her eyes adjust to the darkness. “There sure are a lot of them.”
“There has to be,” said Frankie.
“Why?”
“To look at.”
“..Oh.” She stared at him for a moment, then turned her gaze back to the sky. “They're pretty. Which one is your favorite?”
“That one.” He pointed without a moments hesitation. “See, right between those two trees, above the north gate?”
“It's the north star, isn't it?” Molly looked at her companion with wide eyes. “Sailors used it to find stuff.”
“Not just sailors!” Frankie laughed. “That's the everyone star.”
“The everyone star?”
“Yeah, everyone has a star, you know. That's why there are so many.”
“Oh, ok.” She stared upwards as he continued.
“The everyone star is for everyone. That's why it doesn't move, and the rest do. Cause, see, my star moves a bunch, so I can't always see it. So the everyone star stays there, and I know I'm not alone. That's why it's my favorite.”
“But you're not alone!”
“Not as long as I have a star!” Frankie laughed again, and leaned back against the wall. “Sometimes, I wonder...” he trailed off. “Am I crazy because my star moves so much?”
Molly found him nearly an hour later, sitting in the patch of tall grass that the lawnmower always missed next to the gray stone wall of the asylum. He'd gotten his arms free again, and he wrapped them around his knees as he stared up at the sky. He looked sad, almost, but smiled as she approached.
“Hello!” He said brightly, sitting up and dropping his knees into a cross-legged position. “Did you find the unicorn?”
“No, but I found you!”
“I'm a unicorn?” Frankie looked confused. “I thought I was a wombat.”
“No, you're Frankie, silly.” She giggled
“Oh!” he looked relieved. “That's what I normally am.”
“Yep.” She sat down next to him. “What'cha lookin' at?”
“Oh, the uplights. Things. The little bright things, what with the twinkling and what?” He struggled for the word, gesturing upward. “Those.”
“Stars?”
“Yeah!” He nodded vigorously. “Stars, yep!”
“Oh, ok.” She stared at the sky for a moment, letting her eyes adjust to the darkness. “There sure are a lot of them.”
“There has to be,” said Frankie.
“Why?”
“To look at.”
“..Oh.” She stared at him for a moment, then turned her gaze back to the sky. “They're pretty. Which one is your favorite?”
“That one.” He pointed without a moments hesitation. “See, right between those two trees, above the north gate?”
“It's the north star, isn't it?” Molly looked at her companion with wide eyes. “Sailors used it to find stuff.”
“Not just sailors!” Frankie laughed. “That's the everyone star.”
“The everyone star?”
“Yeah, everyone has a star, you know. That's why there are so many.”
“Oh, ok.” She stared upwards as he continued.
“The everyone star is for everyone. That's why it doesn't move, and the rest do. Cause, see, my star moves a bunch, so I can't always see it. So the everyone star stays there, and I know I'm not alone. That's why it's my favorite.”
“But you're not alone!”
“Not as long as I have a star!” Frankie laughed again, and leaned back against the wall. “Sometimes, I wonder...” he trailed off. “Am I crazy because my star moves so much?”
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